Burned at the Stake (1981) [R]

Release Date:
August 21, 1981

Original Title:
Burned at the Stake

Alternate Titles:
Die Nacht des Hexenjägers
Testemunha do Diabo
The Coming
The coming (Viaje a traves del tiempo)
Tulo

Genres:
Horror

Production Companies:
Alan Landsburg Productions

Production Countries:
United States of America

Ratings / Certifications:
US: R 

Runtime: 88

In 1692 in Salem, Massachusetts, young Ann Putnam accuses several residents of being witches, and they are tried and put to death. In 1980, young Loreen Graham is on a school outing to the Salem Witch Museum when a wax figure of a man from 1692 comes to life and accosts her. It seems that she may be the reincarnation of Ann, who has accused the man's 5-year-old girl of witchcraft and the girl is scheduled to be burned at the stake. Loreen must fight being possessed by Ann Putnam and confront the evil minister from 1692 who is consorting with Ann to falsely accuse people of witchcraft.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Charles Adair

Assistant Camera:
Larry Gries

Assistant Editor:
Mary Ruth Smith

Boom Operator:
Ken Beauchene

Costumer:
F. Huntington Parker

Director:
Bert I. Gordon

Director of Photography:
Daniel Yarussi

Editor:
Ron Sawade

Executive In Charge Of Production:
Howard Lipstone

Executive Producer:
Howard Lipstone
Alan Landsburg

First Assistant Director:
Len Jacobs

Makeup Artist:
Deborah J. Steele

Makeup Effects Designer:
Charles H. Schram

Music Editor:
John Mick

Original Music Composer:
Arthur Kempel

Producer:
Bert I. Gordon

Property Master:
Annemarie Martins

Script Supervisor:
Patricia Gordon

Second Assistant Director:
Robert Engelman

Sound Effects:
Don Crosby
Tony Garber

Sound Mixer:
James M. Tanenbaum

Special Effects:
Fred Yawnick

Unit Production Manager:
Cheryl Quarantiello

Writer:
Bert I. Gordon

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.