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Burned at the Stake (1981) [R]

Release Date:
August 21, 1981

Original Title:
Burned at the Stake

Alternate Titles:
Die Nacht des Hexenjägers
Testemunha do Diabo
The Coming
The coming (Viaje a traves del tiempo)
Tulo

Genres:
Horror | Thriller

Production Companies:
Alan Landsburg Productions

Production Countries:
United States of America

Ratings / Certifications:
US: R 

Runtime: 86

What's Gotten Into Loreen?

Overview from TheMovieDB

In 1692 Salem, Ann Putnam accuses those who have angered her of witchcraft; they are tried and put to death. In 1980, Loreen Graham is on a school outing to the Salem Witch Museum when a wax figure of a man from 1692 comes to life and accosts her. It seems that she may be the reincarnation of Ann, who had accused the man's 5-year-old daughter of witchcraft and the girl is scheduled to be burned at the stake. Loreen must fight against Ann's possession and confront the corrupt 17th century minister consorting with Ann to falsely accuse people of witchcraft.

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Production

Art Direction:
Charles Adair

Assistant Camera:
Larry Gries

Assistant Editor:
Mary Ruth Smith

Boom Operator:
Ken Beauchene

Costumer:
F. Huntington Parker

Director:
Bert I. Gordon

Director of Photography:
Daniel Yarussi

Editor:
Ron Sawade

Executive In Charge Of Production:
Howard Lipstone

Executive Producer:
Howard Lipstone
Alan Landsburg

First Assistant Director:
Len Jacobs

Makeup Artist:
Deborah J. Steele

Makeup Effects Designer:
Charles H. Schram

Music Editor:
John Mick

Original Music Composer:
Arthur Kempel

Producer:
Bert I. Gordon

Property Master:
Annemarie Martins

Script Supervisor:
Patricia Gordon

Second Assistant Director:
Robert Engelman

Sound Effects:
Tony Garber
Don Crosby

Sound Mixer:
James M. Tanenbaum

Special Effects:
Fred Yawnick

Unit Production Manager:
Cheryl Quarantiello

Writer:
Bert I. Gordon

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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