A work in constant progress (and occasional regress).
Release Date:
November 12, 1999
Original Title:
Anywhere but Here
Genres:
Comedy | Drama | Romance
Production Companies:
20th Century Fox
Fox 2000 Pictures
Production Countries:
United States of America
Ratings / Certifications:
CH: 12 JP: G US: PG-13
Runtime: 114
Single mother Adele August is bad with money, and even worse when it comes to making decisions. Her straight-laced daughter, Ann, is a successful high school student with Ivy League aspirations. When Adele decides to pack up and move the two of them from the Midwest to Beverly Hills, Calif., to pursue her dreams of Hollywood success, Ann grows frustrated with her mother's irresponsible and impulsive ways.
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ADR Engineer:
Mark DeSimone
Bobby Johanson
ADR Mixer:
Charleen Richards-Steeves
Greg Steele
ADR Recordist:
Diane Linn
David Lucarelli
James Marchione
Art Department Coordinator:
Patti McNulty
Art Department Production Assistant:
Canada Johanna Gordon
Art Direction:
Kevin Constant
Assistant Editor:
Kevin D. Ross
Shannon Carey
Roy Waldspurger
Rob Bonz
Tara McKinley
Assistant Location Manager:
Jay Traynor
Assistant Music Supervisor:
Delphine Robertson
Assistant Production Coordinator:
Jennifer S. Deayton
Assistant Property Master:
Julie Witherington
Assistant Sound Editor:
Stephen Kearney
Associate Producer:
Petra Alexandria
Best Boy Electric:
Alan Colbert
Best Boy Electrician:
Frank Tobin
Best Boy Grip:
Jamie Young
Steven Frohardt
Book:
Mona Simpson
Boom Operator:
Raul A. Bruce
Camera Operator:
Clinton Dougherty
Casting:
Victoria Thomas
Casting Assistant:
Kim Taylor-Coleman
Nina Barry
Casting Associate:
Wendy Weidman
Clearances Coordinator:
Gregory Dunigan
Color Timer:
Mike Milliken
Construction Coordinator:
Bruce DiValerio
Costume Design:
Betsy Heimann
Costume Supervisor:
Lori Stilson
Costumer:
Christine Heinz
Patia Prouty
Dialogue Editor:
Dianna Stirpe
Director:
Wayne Wang
Director of Photography:
Roger Deakins
Dolly Grip:
Bruce Hamme
Editor:
Nicholas C. Smith
Electrician:
Roman Jakobi
Alan Frazier
Executive Producer:
Ginny Nugent
First Assistant Director:
Betsy Magruder
Foley Artist:
Jana Vance
Dennie Thorpe
Foley Editor:
Sandina Bailo-Lape
Foley Mixer:
Tony Eckert
Foley Recordist:
Frank 'Pepe' Merel
Greensman:
Mark Lapotsky
Key Grip:
Peter Clemence
Key Hair Stylist:
Bonnie Clevering
Key Makeup Artist:
Bob Mills
Key Rigging Grip:
Dhamarata Dhiensuwana
Leadman:
Larry J. White II
Jeffrey Kushon
Location Manager:
Eric Klosterman
Kristan Wagner
Music Editor:
Ellen Segal
Music Supervisor:
Deva Anderson
Negative Cutter:
Gary Burritt
Original Music Composer:
Danny Elfman
Payroll Accountant:
Karen Scarborough
Producer:
Laurence Mark
Production Accountant:
Martha Cronin
Production Coordinator:
Montez A. Monroe
Production Design:
Donald Graham Burt
Production Secretary:
Linda E. Degus
Production Sound Mixer:
Joseph Geisinger
Property Master:
Sean Mannion
Rigging Gaffer:
Dennis J. Lootens
Screenplay:
Alvin Sargent
Script Supervisor:
Marion Tumen
Second Assistant Camera:
Josh Blakeslee
Second Assistant Director:
Jonathan McGarry
Second Second Assistant Director:
Rusty Mahmood
Set Decoration:
Barbara Munch
Set Designer:
Theodore Sharps
Robert W. Harbour
Set Dresser:
Nicholas Rymond
Luigi Mugavero
Werner Hoetzinger
Sound Effects Editor:
Susan Sanford
Samuel H. Hinckley
J.R. Grubbs
Sound Re-Recording Mixer:
Lora Hirschberg
Gary Rizzo
Christopher Boyes
Special Effects:
Dale Ettema
Jeffrey Machit
Special Effects Coordinator:
R. Bruce Steinheimer
Still Photographer:
Lorey Sebastian
Studio Teacher:
Elise Ganz
Stunt Coordinator:
Glory Fioramonti
Stunt Driver:
Bob Bralver
Supervising Sound Editor:
Michael Silvers
Transportation Captain:
Lee Garibaldi
Transportation Coordinator:
Tommy Tancharoen
Unit Production Manager:
Donna E. Bloom
Unit Publicist:
Robert A. Levine
Writer:
Mona Simpson
Alvin Sargent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.