A work in constant progress (and occasional regress).
Release Date:
April 9, 1971
Original Title:
Valdez Is Coming
Alternate Titles:
Valdez Osvetnik
Genres:
Western
Production Companies:
Ira Steiner Productions
Norlan Productions
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 DE: 16 GB: 15 IE: PG US: PG-13
Runtime: 91
Old Mexican-American sheriff Bob Valdez has always been a haven of sanity in a land of madmen when it came to defending law and order. But the weapon smuggler Frank Tanner is greedy and impulsive. When Tanner provokes a shooting that causes the death of an innocent man and Valdez asks him to financially compensate the widow, Tanner refuses to do so and severely humiliates Valdez, who will do justice and avenge his honor, no matter what it takes.
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Art Direction:
José María Tapiador
Assistant Set Decoration:
José María Alarcón
Associate Producer:
Sam Manners
Casting:
Lynn Stalmaster
Conductor:
Charles Gross
Construction Coordinator:
Art Starnes
Costume Designer:
Lewis Brown
Costumer:
Jack Martell
Dialogue Coach:
Thom Conroy
Director:
Edwin Sherin
Director of Photography:
Gábor Pogány
Editor:
James T. Heckert
George R. Rohrs
Executive Producer:
Roland Kibbee
Burt Lancaster
First Assistant Camera:
Ramiro Sabell
First Assistant Director:
José María Ochoa
Anthony Ray
First Assistant Editor:
Brian Linsell
Grip:
Tom D. May
Hairdresser:
Antonia López
Makeup Artist:
Mariano García Rey
Alberto Gutiérrez
Music Editor:
Erma E. Levin
Musician:
Louise Di Tullio
Novel:
Elmore Leonard
Original Music Composer:
Charles Gross
Producer:
Ira Steiner
Production Manager:
Sam Manners
José María Rodríguez
Property Master:
Robert Eaton
Screenplay:
Roland Kibbee
David Rayfiel
Script Supervisor:
John Franco
Second Assistant Director:
Kim Manners
Set Decoration:
Rafael Salazar
Sound Mixer:
Bud Alper
Don MacDougall
Special Effects:
Chuck Gaspar
Lincoln Kibbee
Stunt Coordinator:
Al Wyatt Sr.
Stunts:
Stephanie Epper
Tony Epper
Transportation Coordinator:
Miguel Ángel Bermejo
Unit Publicist:
Mark Nicols
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.