A work in constant progress (and occasional regress).
Release Date:
May 8, 1995
Original Title:
Deadlocked: Escape from Zone 14
Alternate Titles:
Deadlock 2
Genres:
Action | Drama | Science Fiction | TV Movie
Ratings / Certifications:
US: NR
Runtime: 91
Tony is framed by Claremont for a murder he didn't commit. He is sent to prison but Claremont promises him freedom if he can find Allie in the prison and bring her out. Allie and Tony soon join forces and the actual escape from the prison is a small part of what they will go through together.
Art Direction:
Nancy Ford
Assistant Sound Editor:
Kris Fenske
Best Boy Electric:
Blair McDonald
Boom Operator:
Mike Gardner
Camera Operator:
Ken James
Joel Ransom
A.J. Vesak
Cinematography:
David Geddes
Construction Coordinator:
Chris Claridge
Costume Designer:
Maya Mani
Director:
Graeme Campbell
Editor:
George Appleby
Executive Producer:
Christine A. Sacani
Howard Braunstein
Michael Jaffe
First Assistant Camera:
Gary Viola
First Assistant Director:
Mike Rohl
Jim Rowe
Gaffer:
Fred Boyd
Key Grip:
Dave Gordon
Key Hair Stylist:
Michael Pachal
Key Makeup Artist:
Sydney Silvert
Music:
Peter Manning Robinson
Music Editor:
Dan Raziel
Producer:
Lisa Richardson
Production Designer:
Chris August
Production Manager:
Ron McLeod
Property Master:
Bill Burd
Second Assistant Director:
Robert Crippen
Second Unit Director:
Richard Leiterman
Set Decoration:
Peter Lando
Sound Editor:
Anke Bakker
Sound Mixer:
Lars Ekstrom
Dean Giammarco
Paul A. Sharpe
Sound Supervisor:
Jacqueline Cristianini
Special Effects:
Randy Shymkiw
Stunt Coordinator:
Brent Woolsey
Stunt Double:
Guy Bews
Marny Eng
Fiona Roeske
Jacob Rupp
Stunt Driver:
David Jacox
Stunts:
Melissa R. Stubbs
Alex Green
Jim Dunn
Tom Erickson
Tom Glass
Gary Lauder
Zook Matthews
Fred Perron
John Scott
Teleplay:
Chris Cosby
Mel Friedman
Unit Manager:
Eddie Fickett
Visual Effects Assistant Editor:
Simon Lacey
Writer:
Broderick Miller
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.