A work in constant progress (and occasional regress).
Release Date:
September 18, 1998
Original Title:
Rush Hour
Alternate Titles:
A Hora do Rush
Godziny szczytu
Heure limite
Hora de Ponta
Hora punta 1
Oră de vârf
Rush Hour 1
Rush Hour 1 - Due mine vaganti
Una pareja explosiva 1
Година пік
火拼時速
러시 아워
러시아워
러시아워 1
Genres:
Action | Comedy | Crime
Production Companies:
Arthur Sarkissian Productions
New Line Cinema
Roger Birnbaum Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 12+ DE: 12 DK: 15 ES: 12 FR: 12 GB: 12 GR: 12 HU: 12 IE: 15 JP: G KR: 12 NL: 12 PT: M/12 SE: 11 US: PG-13
Runtime: 97
When Hong Kong Inspector Lee is summoned to Los Angeles to investigate a kidnapping, the FBI doesn't want any outside help and assigns cocky LAPD Detective James Carter to distract Lee from the case. Not content to watch the action from the sidelines, Lee and Carter form an unlikely partnership and investigate the case themselves.
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"A" Camera Operator:
William D. Barber
"B" Camera Operator:
Colin Anderson
ADR Editor:
Linda Folk
ADR Mixer:
Doc Kane
ADR Recordist:
Jeanette Browning
Apprentice Sound Editor:
Philip J. Slattery
Art Department Coordinator:
Amy Martin
Art Direction:
Thomas Fichter
Assistant Costume Designer:
Cathy Crandall
Assistant Director:
Kenneth Siao Wai-Keung
Assistant Editor:
Michael Mahoney
Douglas Kunin
Laura Steiger
Chris Jackson
Assistant Production Coordinator:
Mimi N. McGreal
Assistant Property Master:
Ron Patterson
Associate Producer:
Wayne Morris
James M. Freitag
Best Boy Grip:
Rodney Veto
Thomas J. Ruffner
Boom Operator:
Gary A. Theard
Camera Loader:
Lisa Bonaccorso
Casting:
Nancy Green-Keyes
Matthew Barry
Casting Assistant:
Cosgrove Vincent Norstadt
Chief Lighting Technician:
Robert Jason
Co-Executive Producer:
Leon Dudevoir
Co-Producer:
Art Schaefer
Color Timer:
Mike Milliken
Construction Coordinator:
Kevin Conlin
Costume Design:
Sharen Davis
Costume Supervisor:
Paul H. Lopez
Dialogue Editor:
Albert Gasser
Jim Brookshire
John Kwiatkowski
Director:
Brett Ratner
Director of Photography:
Adam Greenberg
Dolly Grip:
Alan Shultz
Editor:
Mark Helfrich
Executive In Charge Of Post Production:
Jody Levin
Executive In Charge Of Production:
Carla Fry
Executive Producer:
Jay Stern
First Assistant "A" Camera:
Michael D. Weldon
First Assistant "B" Camera:
Alan Cohen
First Assistant Accountant:
Judy Blinick
First Assistant Director:
James M. Freitag
First Assistant Sound Editor:
Carmen Hocson Baker
Ann L. Thornberg
Foley Artist:
Gregg Barbanell
Laura Macias
Foley Mixer:
Scott Weber
Hairstylist:
Paul Anthony Morris
Kim Messina
Key Grip:
Charles John Bukey
Key Hair Stylist:
Larry Waggoner
Key Makeup Artist:
Melanie Hughes
Leadman:
Dean B. Katz
Location Manager:
Dianne Ketchum Friedgen
J. Marc Strachan
Location Scout:
Nathan Polatin
Makeup Artist:
Rebecca Alling
Joanetta Stowers
Melanie Hughes
Music:
Ira Hearshen
Music Editor:
Steve Mccroskey
Music Supervisor:
Happy Walters
Negative Cutter:
Gary Burritt
Original Music Composer:
Lalo Schifrin
Pilot:
Alan D. Purwin
Post Production Supervisor:
Diana Kaufman
Producer:
Roger Birnbaum
Arthur M. Sarkissian
Jonathan Glickman
Production Accountant:
Mark J. Levenstein
Production Coordinator:
Valerie Mickaelian Kucera
Production Design:
Robb Wilson King
Property Master:
Ritchie Kremer
Rigging Gaffer:
Frank Scheidbach
Rigging Grip:
Raymond Michels
Gary Brostrom
Screenplay:
Ross LaManna
Jim Kouf
Script Supervisor:
Haley McLane
Second Assistant "A" Camera:
Shai Greenberg
Second Assistant "B" Camera:
Paul Santoni
Second Assistant Director:
David Cass Jr.
Second Second Assistant Director:
Eric Oliver
Second Unit Director:
Terry Leonard
Second Unit Director of Photography:
Mike Benson
Set Decoration:
Lance Lombardo
Set Designer:
Jeff Ozimek
Patte Strong-Lord
Set Dresser:
George Atamian
Vartan 'V.T.' Tashjian
Ara Darakjian
Frankie Beau Lombardo
Gary Ledyard
Set Dressing Artist:
Lance Lombardo
Sound Designer:
Tim Chau
Donald J. Malouf
Sound Effects Editor:
Doug Jackson
Nils C. Jensen
Nancy MacLeod
David Kern
Sound Mixer:
Kim H. Ornitz
Sound Re-Recording Mixer:
Tom E. Dahl
Andy D'Addario
Sound Recordist:
Ivan Johnson
Special Effects:
Vincent Montefusco
Special Effects Coordinator:
Vincent Montefusco
Steadicam Operator:
Colin Anderson
Still Photographer:
Bob Marshak
Story:
Ross LaManna
Storyboard Artist:
Mark Vena
Studio Teacher:
Margaret L. Schlaifer
Stunt Coordinator:
Sam Wong Ming-Sing
Jackie Chan
Terry Leonard
Nicky Li Chung-Chi
Stunt Double:
Mark Hicks
Stunts:
Mark Hicks
Matt Leonard
Al Goto
Andy Cheng
Tim Trella
Jeff Imada
Eugene Collier
Rick Avery
Joni Avery
Troy Robinson
Troy Brown
Keith Woulard
Phil Culotta
William Washington
James Lew
Will Leong
Darryl Chan
Sammy Maloof
Anthony T. Pennello
Brian Burrows
Hal Burton
Hubie Kerns Jr.
David D. Darling
Wayne King
Jeff Ramsey
Ben Scott
John-Clay Scott
Big Daddy Wayne
Jim Wilkey
Michael Wehrhahn
George P. Wilbur
Kerry Rossall
Danny Wong
Eddie Braun
Supervising ADR Editor:
Michele Perrone
Supervising Sound Editor:
Donald J. Malouf
Tim Chau
Title Designer:
Nina Saxon
Bohnie Avanzino
Unit Production Manager:
Wayne Morris
Unit Publicist:
Bronwyn Preston
Visual Effects Producer:
C. Marie Davis
Reid Burns
Visual Effects Supervisor:
Chuck Comisky
Ken Jones
Jeff Matakovich
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.