A work in constant progress (and occasional regress).
Release Date:
February 18, 2000
Original Title:
The Whole Nine Yards
Alternate Titles:
Dev'yatʹ yardiv
Devet yarda
Devyat' yardov
Mi vecino, el asesino
O mafiózos tis diplanís pórtas
Ubica mekog srca
Un vecino peligroso
殺手不眨眼
Genres:
Comedy | Crime
Production Companies:
Lansdown Films
Rational Packaging
Production Countries:
United States of America
Ratings / Certifications:
AU: M CH: 16 CZ: 12+ DE: 16 FR: U GB: 15 IE: 15 PL: 16 SE: 11 US: R
Runtime: 98
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.
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ADR Editor:
Julie Feiner
ADR Mixer:
Thomas J. O'Connell
ADR Recordist:
Rick Canelli
ADR Voice Casting:
Sandy Holt
Apprentice Sound Editor:
Eric Pinckert
Art Department Assistant:
Spiri Katerelos
Art Department Coordinator:
Carrie Foster
Art Direction:
André Chamberland
Assistant Accountant:
Nancy Klein
Assistant Art Director:
Jean-Pierre Paquet
Assistant Costume Designer:
Avery Gibbard
Assistant Editor:
Carina Baccanale
Assistant Makeup Artist:
Larysa Chernienko
Assistant Set Dresser:
Amélie Léonard
Assistant Unit Manager:
Michel Leroux
Associate Producer:
Stephen J. Eads
Best Boy Grip:
Sylvain Labrecque
Boom Operator:
Thierry Hoffmann
Camera Loader:
Christian Caperaa
Camera Operator:
John Trapman
Camera Trainee:
Olivier Henley
Carpenter:
Eric Lafrance
Casting:
Nancy Nayor
Casting Assistant:
Sheryl Bettencourt
Clapper Loader:
Serge Hughes
Co-Producer:
James A. Holt
Tracee Stanley
Don Carmody
Color Timer:
Kenny Becker
Construction Foreman:
Serge Bernard
Costume Design:
Edi Giguere
Costume Supervisor:
Erick Martinez
Director:
Jonathan Lynn
Director of Photography:
David Franco
Dolby Consultant:
Bryan Pennington
Dolly Grip:
Alain Masse
Draughtsman:
Caroline Alder
Dresser:
Richard Brunet
Driver:
Aleck Duncan
Editor:
Tom Lewis
Electrician:
John John Harris
Executive Producer:
George Edde
Elie Samaha
Andrew Stevens
Extras Casting:
Linda Rona
Extras Casting Assistant:
Jean-Francois Hall
First Assistant Camera:
Michel Bernier
First Assistant Director:
Myron Hoffert
First Assistant Editor:
Paul M. Wagner
First Assistant Sound Editor:
Pernell L. Salinas
Focus Puller:
Yvan Brunet
Foley Artist:
John T. Cucci
Foley Editor:
Christopher T. Welch
Foley Mixer:
James Ashwill
Foley Recordist:
Linda Lew
Gaffer:
Edward Mikolic
Grip:
Kelly Baylis
Hairdresser:
Nathalie Garon
Hairstylist:
Peggy Semtob
Head Driver:
James Sanchez
Key Dresser:
Madeleine Perras
Key Grip:
Robert B. Baylis
Key Makeup Artist:
Clair Blondel
Line Producer:
Mike Drake
Local Casting:
Nadia Rona
Location Assistant:
Dominique Leroutier
Location Scout:
Christine Anthony
Makeup Artist:
Gerald Quist
Marine Coordinator:
Michael Martin
Music Consultant:
Gary Gold
Music Coordinator:
Bronwen Boyan
Music Editor:
E. Gedney Webb
Music Supervisor:
Spring Aspers
Negative Cutter:
Mo Henry
Original Music Composer:
Gary Gold
Randy Edelman
Painter:
Tim Stadler
Payroll Accountant:
Lise Servant
Picture Car Coordinator:
Réal Hamel
Post Production Supervisor:
Eric Bergman
Producer:
Allan Kaufman
David Willis
Production Accountant:
Frank J. Ellison
Production Assistant:
Gregory Abel
Production Controller:
Marc Kunis
Production Coordinator:
Sofie Handfield
Production Design:
David L. Snyder
Production Secretary:
Marie-France Long
Production Sound Mixer:
Don Cohen
Property Master:
Marc C. De Léry
Publicist:
Pamela Godfrey
Scenic Artist:
Alain Bouchard
Screenplay:
Mitchell Kapner
Script Supervisor:
Marie Beaulieu
Second Assistant Camera:
Pierre Fournier
Second Assistant Director:
Carl Roméo
Carl Roméo Desjardins
Second Unit Director:
David L. Snyder
Security:
Robert Biddle
Set Decoration:
Mary Lynn Deachman
Set Dresser:
Francis Tremblay
Set Medic:
Jean Marchand
Sound Effects Editor:
David Grimaldi
Sound Re-Recording Mixer:
Christian P. Minkler
Special Effects Coordinator:
Ryal Cosgrove
Stand In:
Martin Brisebois
Still Photographer:
Pierre Dury
Stunt Coordinator:
Minor Mustain
Stunts:
Alvin Powell
Supervising Dialogue Editor:
Robert Fitzgerald
Supervising Sound Editor:
Michael Hilkene
Swing:
Jocelyn Clouàtre
Third Assistant Director:
Michelle Benoit
Transportation Coordinator:
Neil Montgomerie
Unit Manager:
Stéphane Falardeau
Unit Production Manager:
Micheline Garant
Wardrobe Master:
Art Reasonover
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.