A work in constant progress (and occasional regress).
Release Date:
April 15, 1992
Original Title:
Deep Cover
Alternate Titles:
Mélytengeri szörnyeteg
Skoteinos antipalos
Genres:
Action | Crime | Thriller
Production Companies:
Image Organization
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
AU: R18+ CZ: 15+ DE: 16 ES: 18 FI: K-18 FR: 16 GB: 18 IE: 18 US: R
Runtime: 108
Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.
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ADR Mixer:
Terry O'Bright
ADR Recordist:
William Freesh
Additional Production Sound Mixer:
Aletha Rodgers
Additional Second Assistant Director:
Warren R. Turner
Art Department Coordinator:
Chris Carriveau
Art Direction:
Daniel Bickel
Assistant Makeup Artist:
Barrie Buckner
Douglas Noe
Assistant Sound Editor:
Mark Petersen
Associate Producer:
Ron Stacker Thompson
Boom Operator:
Paul Vik Marshall
Casting:
Kimberly Hardin
Chemin Sylvia Bernard
Co-Executive Producer:
Michael De Luca
Co-Producer:
Deborah Moore
Construction Coordinator:
Daniel Bickel
Construction Foreman:
John McFarlane
Costume Design:
Arline Burks Gant
Director:
Bill Duke
Director of Photography:
Bojan Bazelli
Dolby Consultant:
Thom 'Coach' Ehle
Editor:
John Carter
Executive In Charge Of Post Production:
Joe Fineman
Executive In Charge Of Production:
Cindy Hornickel
Executive Producer:
David Streit
First Assistant Director:
Hope R. Goodwin
Foley Artist:
Gregg Barbanell
Vince Nicastro
Foley Mixer:
Brian Geer
Hair Assistant:
Barrie Buckner
Hairstylist:
Fay Kelly
Erma Kent
Ann Wadlington
Kenneth Walker
Shaka Ken Walter
Key Makeup Artist:
Suzanne Parker Sanders
Leadman:
Christopher Harwood
Makeup Effects:
Suzanne Parker Sanders
Original Music Composer:
Michel Colombier
Post Production Supervisor:
Pamela Winn-Barnett
Producer:
Henry Bean
Pierre David
Production Design:
Pamela B. Warner
Production Sound Mixer:
Tony Smyles
Property Master:
Jeffrey Moore
Screenplay:
Henry Bean
Michael Tolkin
Second Assistant Director:
Sandra M. Middleton
Second Second Assistant Director:
Robert Scott
Second Unit Director:
Greg Wayne Elam
Conrad E. Palmisano
Second Unit First Assistant Director:
Willie E. Simmons, Jr.
Set Decoration:
Donald Elmblad
Sound Designer:
Harry Cohen
Sound Editor:
Tim Gedemer
Cathie Speakman
Sound Effects Editor:
Harry Cohen
Lewis Goldstein
Peter J. Lehman
Ann Scibelli
Sound Mixer:
Terry O'Bright
Sound Re-Recording Mixer:
Ken S. Polk
Ken Teaney
Special Effects Assistant:
Mark R. Byers
Gary Jones
Special Effects Coordinator:
Frank Ceglia
Still Photographer:
Joel David Warren
Story:
Michael Tolkin
Storyboard Artist:
Darryl Henley
Stunts:
Steven Lambert
Alisa Christensen
Bob Minor
Thomas Rosales Jr.
Eugene Collier
Mary Peters
Barbara Anne Klein
Henry Kingi
Tony Brubaker
Sonja Davis
Conrad E. Palmisano
Steve Kelso
Supervising Dialogue Editor:
Richard Corwin
Supervising Sound Editor:
Brad Blake
Title Designer:
Dan Perri
Unit Production Manager:
Margaret E. Fannin
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.