One Rainy Afternoon (1936) [NR]

Featuring:
Francis Lederer, Ida Lupino, Hugh Herbert

Written by:
Stephen Morehouse Avery
Maurice Hanline
Emeric Pressburger

Directed by:
Rowland V. Lee


Release Date:
May 13, 1936

Original Title:
One Rainy Afternoon

Genres:
Comedy

Production Companies:
Pickford-Lasky

Production Countries:
United States of America

Ratings / Certifications:
US: NR 

Runtime: 80

HE KISSED THE WRONG GIRL....AND THREW PARIS IN AN UPROAR!

Suave French actor Philippe Martin provokes a scandal when, in a darkened theater, he mistakes young Monique for his mistress, Yvonne, and tries to kiss her. Charged with assault, the quick-thinking Philippe claims it's French tradition to do as he did, and is let go. To his surprise, Philippe learns that Monique has paid his fine. As the tabloids exploit the situation, Monique dates Philippe, until a photo appears of him kissing Yvonne.

Actor Philippe Martin and his married date Yvonne plan to neck in a darkened cinema, but he gets the wrong seat and mistakenly kisses lovely Monique, a publisher's daughter. An absurd scandal results; to protect Yvonne, Philippe insists that he was simply overcome by Monique's beauty. This naturally intrigues Monique...but her nominal fiancée feels differently. French bureaucracy is broadly satirized.

Additional information:

The Search Form


Rankings and Honors

One Rainy Afternoon (1936) on IMDb
Internet Movie Database 5.9/10

Additional Dialogue:
Maurice Hanline

Art Direction:
Richard Day

Assistant Camera:
Tom Dowling

Assistant Director:
Percy Ikerd

Costume Design:
Omar Kiam

Director:
Rowland V. Lee

Director of Photography:
J. Peverell Marley
Merritt B. Gerstad

Editor:
Margaret Clancey

Music Director:
Alfred Newman

Orchestrator:
Hugo Friedhofer
Edward B. Powell

Original Music Composer:
Alfred Newman

Producer:
Mary Pickford
Jesse L. Lasky

Production Manager:
Charles Woolstenhulme

Screenplay:
Stephen Morehouse Avery

Sound Recordist:
Paul Neal

Story:
Emeric Pressburger
René Pujol

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.