A work in constant progress (and occasional regress).
Featuring:
Salvatore Vecchio, Samantha Appleton, Ollie Atkins
Written by:
Jody Lenkoski
Jody Schiliro
Directed by:
Jody Lenkoski
Release Date:
November 24, 2010
Original Title:
The President's Photographer: Fifty Years Inside the Oval Office
Alternate Titles:
The Obama White House: Through the Lens
Genres:
Documentary
Ratings / Certifications:
N/A
Runtime: 52
The documentary covers fifty years inside The White House.
As the 44th president's chief photographer, Pete Souza is never far behind President Obama. Now in the National Geographic Special, The President's Photographer: 50 Years in the Oval Office, viewers can follow Souza, and those who came before him, for a behind-the-scenes look at the everyday grit of the American presidency. Offering a chance to see what it's like to cover the most powerful man in the world, for history. The presidential photographer's job is two-fold: one, taking photographs of the president greeting dignitaries, visitors and guests; and two, perhaps more challenging and gratifying: documenting for history every possible aspect of the presidency, both official events, backstage happenings and "off-duty" private moments. "Creating a good photographic archive for history is the most important part of my job, creating this archive that will live on," says Souza. "This is not so much photojournalism as photo-history." Souza and his staff produce up to 20,000 pictures a week.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.