Home

Our Kind of Traitor (2016) [R]

Release Date:
May 5, 2016

Original Title:
Our Kind of Traitor

Alternate Titles:
Il nostro traditore tipo
Un traidor como los nuestros
Un traidor entre nosotros

Genres:
Thriller

Production Companies:
Anton Capital Entertainment
Film4 Productions
Potboiler Productions
StudioCanal
The Ink Factory

Production Countries:
France | United Kingdom

Ratings / Certifications:
BR: 16  CA: R  DE: 16  DK: 15  FR: U  GB: 15  GR: Κ-18  IE: 15A  JP: PG12  KR: 15세 이상 관람가  LT: N-16  NL: 16  RU: 18+  US: R 

Runtime: 108

Who can you trust with the truth?

Overview from TheMovieDB

A young Oxford academic and his attorney girlfriend holiday in Morocco. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain's intelligence establishment, to Paris and the Alps.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR & Dubbing:
Kasper Pedersen
Harry Platford
Mark Appleby

Armorer:
Ben Rothwell

Art Department Assistant:
Emily Durtnall

Art Direction:
Dean Clegg
Hind Ghazali
Richard Selway

Assistant Art Director:
Martha Parker

Assistant Costume Designer:
Yanika Waters

Camera Operator:
Sébastien Leclercq

Casting:
Lucy Bevan
Rachid Aadassi
Taoufik El Jannani

Casting Associate:
Celebrity Booker
Ruth Key
Amine Louadni

Choreographer:
Francesca Jaynes

Co-Producer:
Jane Frazer

Costume Design:
Julian Day

Digital Intermediate:
Rob Farris
Patrick Malone
Gemma McKeon

Director:
Susanna White

Director of Photography:
Anthony Dod Mantle

Editor:
Tariq Anwar
Lucia Zucchetti

Executive Producer:
John le Carré
Tessa Ross
Sam Lavender
Olivier Courson
Ron Halpern
Jenny Borgars

First Assistant Camera:
Fabienne Octobre
Flavio Manriquez
Lotfi El Gorda

First Assistant Editor:
Eve Doherty

Foley:
Peter Burgis
Jack Stew

Gaffer:
Manuel Gaspar
Thomas Neivelt

Hair Designer:
Fae Hammond

Hairstylist:
Frédérique Arguello
Géraldine Lemaire

Key Hair Stylist:
Rachael Speke

Makeup Artist:
Rachael Speke

Makeup Designer:
Fae Hammond

Music Editor:
Michael Connell

Music Supervisor:
Kle Savidge

Novel:
John le Carré

Original Music Composer:
Marcelo Zarvos

Producer:
Simon Cornwell
Stephen Cornwell
Gail Egan

Production Design:
Sarah Greenwood

Property Master:
Aziz Mhand

Score Engineer:
Gregory Polzak

Script Supervisor:
Irene Chawko

Second Unit Director of Photography:
Michael Wood

Set Costumer:
Rachid Aadassi

Set Decoration:
Katie Spencer

Sound Designer:
Robert Ireland

Sound Re-Recording Mixer:
Mike Prestwood Smith
Johnathan Rush

Special Effects Coordinator:
David Holt
Jérome Miel

Special Effects Supervisor:
Mark Holt
Georges Demétrau

Standby Property Master:
Kevin Day

Still Photographer:
Jaap Buitendijk

Supervising Art Director:
James Foster

Supervising Sound Editor:
Lee Herrick

Visual Effects Editor:
Theo Demiris

Visual Effects Supervisor:
Jorge Cañada Escorihuela
Tom Debenham

Writer:
Hossein Amini

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.