The Crucible (1996) [PG-13]

Release Date:
November 27, 1996

Original Title:
The Crucible

Alternate Titles:
Las Brujas de Salem
Суворе випробування

Genres:
Drama | History

Production Companies:
20th Century Fox

Production Countries:
United States of America

Ratings / Certifications:
CZ: 12+  DE: 12  FR: 12  JP: PG12  KR: 15  PT: M/12  SE: 15  US: PG-13 

Runtime: 124

Arthur Miller's timeless tale of truth on trial.

A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Nick Lowe

Additional Second Assistant Camera:
Bob Becchio

Art Department Assistant:
Anthony D. Parrillo
Lori A. Lopes

Art Department Coordinator:
Elizabeth Flaherty

Art Direction:
John Warnke

Assistant Sound Editor:
Matt Grimes
Mark Sale
Elaine 'Chucks' Thomas

Associate Producer:
Mitchell Levin

Best Boy Electric:
William R. Mayberry

Best Boy Grip:
Tom Barrett

Boom Operator:
Linda Murphy

Camera Operator:
Bruce MacCallum

Casting:
Donna Isaacson
Daniel Swee

Casting Assistant:
James Calleri

Casting Associate:
Christian Kaplan

Co-Producer:
Diana Pokorny

Color Timer:
John Stanborough

Construction Coordinator:
Butch West

Construction Foreman:
Jess Gonchor

Construction Grip:
David Rotondo

Costume Design:
Bob Crowley

Costume Supervisor:
Deirdre N. Williams
Lisa R. Frucht

Costumer:
Sheila Grover

Dialogue Editor:
Joe Gilmore

Director:
Nicholas Hytner

Director of Photography:
Andrew Dunn

Editor:
Tariq Anwar

Electrician:
Jeff Amaral
Bernard C. Karol
Robert Cuddy

Extras Casting Assistant:
Matt Bouldry

First Assistant Camera:
Patricia Van Over

First Assistant Director:
Mike Topoozian

Foley Artist:
Pauline Griffiths

Foley Editor:
Stan Fiferman

Foley Mixer:
Ed Colyer

Gaffer:
Patrick James Grosswendt

Greensman:
Stephanie Waldron

Grip:
David Larue
William M. Weberg

Hairstylist:
Victoria M. Porter
Anthony Veader
Peggy Schierholz
Jerry DeCarlo

Key Costumer:
Amy Andrews

Key Grip:
Eddie Evans

Key Hair Stylist:
Jan Archibald

Leadman:
Patrick Cassidy

Location Manager:
Charles Harrington

Makeup Artist:
Todd Kleitsch
Carla White
Paula Kelly

Makeup Designer:
Naomi Donne

Music Coordinator:
Eliza Thompson

Negative Cutter:
Sylvia Wheeler

Original Music Composer:
George Fenton

Post Production Coordinator:
Will Weiske

Producer:
David V. Picker
Robert A. Miller

Production Accountant:
Jon Davidson

Production Design:
Lilly Kilvert

Production Illustrator:
Brick Mason

Production Supervisor:
Mari-Jo Winkler

Property Master:
David Gulick

Rigging Gaffer:
Blaise Dahlquist

Screenplay:
Arthur Miller

Script Supervisor:
Mary Cybulski

Second Assistant Director:
Bob Wagner
Richard Oswald

Set Decoration:
Gretchen Rau

Set Designer:
Alan S. Kaye
Nick Navarro

Sound Mixer:
Michael Barosky

Sound Re-Recording Mixer:
Dean Humphreys

Special Effects:
Gary L. King
William 'Billy Jack' Jakielaszek

Special Effects Coordinator:
Brian Ricci

Standby Painter:
James Passanante

Still Photographer:
Barry Wetcher

Stunt Coordinator:
Walter Scott

Stunts:
John R. Favre
Dale Gibson
R.L. Tolbert
Gwynn Turnbull Weaver
Valerie Scott
Laurie Scott

Supervising Sound Editor:
Christopher Ackland

Theatre Play:
Arthur Miller

Unit Production Manager:
Diana Pokorny

Unit Publicist:
Anne S. Reilly

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.