A work in constant progress (and occasional regress).
Release Date:
November 27, 1996
Original Title:
The Crucible
Alternate Titles:
Las Brujas de Salem
Суворе випробування
Genres:
Drama | History
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
CZ: 12+ DE: 12 FR: 12 JP: PG12 KR: 15 PT: M/12 SE: 15 US: PG-13
Runtime: 124
A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Nick Lowe
Additional Second Assistant Camera:
Bob Becchio
Art Department Assistant:
Anthony D. Parrillo
Lori A. Lopes
Art Department Coordinator:
Elizabeth Flaherty
Art Direction:
John Warnke
Assistant Sound Editor:
Matt Grimes
Mark Sale
Elaine 'Chucks' Thomas
Associate Producer:
Mitchell Levin
Best Boy Electric:
William R. Mayberry
Best Boy Grip:
Tom Barrett
Boom Operator:
Linda Murphy
Camera Operator:
Bruce MacCallum
Casting:
Donna Isaacson
Daniel Swee
Casting Assistant:
James Calleri
Casting Associate:
Christian Kaplan
Co-Producer:
Diana Pokorny
Color Timer:
John Stanborough
Construction Coordinator:
Butch West
Construction Foreman:
Jess Gonchor
Construction Grip:
David Rotondo
Costume Design:
Bob Crowley
Costume Supervisor:
Deirdre N. Williams
Lisa R. Frucht
Costumer:
Sheila Grover
Dialogue Editor:
Joe Gilmore
Director:
Nicholas Hytner
Director of Photography:
Andrew Dunn
Editor:
Tariq Anwar
Electrician:
Jeff Amaral
Bernard C. Karol
Robert Cuddy
Extras Casting Assistant:
Matt Bouldry
First Assistant Camera:
Patricia Van Over
First Assistant Director:
Mike Topoozian
Foley Artist:
Pauline Griffiths
Foley Editor:
Stan Fiferman
Foley Mixer:
Ed Colyer
Gaffer:
Patrick James Grosswendt
Greensman:
Stephanie Waldron
Grip:
David Larue
William M. Weberg
Hairstylist:
Victoria M. Porter
Anthony Veader
Peggy Schierholz
Jerry DeCarlo
Key Costumer:
Amy Andrews
Key Grip:
Eddie Evans
Key Hair Stylist:
Jan Archibald
Leadman:
Patrick Cassidy
Location Manager:
Charles Harrington
Makeup Artist:
Todd Kleitsch
Carla White
Paula Kelly
Makeup Designer:
Naomi Donne
Music Coordinator:
Eliza Thompson
Negative Cutter:
Sylvia Wheeler
Original Music Composer:
George Fenton
Post Production Coordinator:
Will Weiske
Producer:
David V. Picker
Robert A. Miller
Production Accountant:
Jon Davidson
Production Design:
Lilly Kilvert
Production Illustrator:
Brick Mason
Production Supervisor:
Mari-Jo Winkler
Property Master:
David Gulick
Rigging Gaffer:
Blaise Dahlquist
Screenplay:
Arthur Miller
Script Supervisor:
Mary Cybulski
Second Assistant Director:
Bob Wagner
Richard Oswald
Set Decoration:
Gretchen Rau
Set Designer:
Alan S. Kaye
Nick Navarro
Sound Mixer:
Michael Barosky
Sound Re-Recording Mixer:
Dean Humphreys
Special Effects:
Gary L. King
William 'Billy Jack' Jakielaszek
Special Effects Coordinator:
Brian Ricci
Standby Painter:
James Passanante
Still Photographer:
Barry Wetcher
Stunt Coordinator:
Walter Scott
Stunts:
John R. Favre
Dale Gibson
R.L. Tolbert
Gwynn Turnbull Weaver
Valerie Scott
Laurie Scott
Supervising Sound Editor:
Christopher Ackland
Theatre Play:
Arthur Miller
Unit Production Manager:
Diana Pokorny
Unit Publicist:
Anne S. Reilly
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.