A work in constant progress (and occasional regress).
Release Date:
October 24, 2014
Original Title:
La Once
Alternate Titles:
Tea Time
Genres:
Documentary
Production Companies:
Micromundo
Production Countries:
Chile
Ratings / Certifications:
N/A
Runtime: 70
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Archival Footage Research:
Alicia Pérez
Art Designer:
Catalina Devia
Assistant Editor:
Sebastián Brahm
Camera Operator:
Pablo Valdés
Maite Alberdi
Eduardo Cruz-Coke
Cristián Petit-Laurent
Director:
Maite Alberdi
Director of Photography:
Pablo Valdés
Editor:
Juan Eduardo Murillo
Editorial Consultant:
Andrea Chignoli
Menno Boerema
Executive Producer:
Clara Taricco
Graphic Designer:
Catalina Devia
Music Producer:
José Miguel Tobar
Miguel Miranda
Santiago Farah
Original Music Composer:
José Miguel Tobar
Miguel Miranda
Production Consultant:
Paola Castillo
Ursula Budnik
Researcher:
Maite Alberdi
Clara Taricco
Screenplay:
Maite Alberdi
Juan Eduardo Murillo
Sebastián Brahm
Sound:
Boris Herrera
Israel Pimentel Bustamante
David Cuerpo
Amador Providell
Sound Editor:
Sebastián Pappalardo
Christian Cosgrove
Sound Mixer:
Roberto Espinoza
Sound Post Production Coordinator:
Pablo Bahamóndez
Still Photographer:
Álvaro Reyes
Thanks:
Bettina Perut
María Paz González
Iván Osnovikoff
José Luis Torres Leiva
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.