A work in constant progress (and occasional regress).
Release Date:
October 17, 1956
Original Title:
Suor Letizia
Alternate Titles:
Il più grande amore
Suor Letizia - Il più grande amore
Genres:
Drama
Production Companies:
Produzione Pallavicini
Rizzoli Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 87
Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.
Assistant Camera:
Dario Di Palma
Camera Operator:
Erico Menczer
Conductor:
Carlo Savina
Costume Design:
Piero Tosi
Director:
Mario Camerini
Director of Photography:
Gianni Di Venanzo
Editor:
Giuliana Attenni
First Assistant Director:
Otto Pellegrini
Idea:
Giose Rimanelli
Antonio Altoviti
Makeup Artist:
Alberto De Rossi
Original Music Composer:
Angelo Francesco Lavagnino
Producer:
Sandro Pallavicini
Angelo Rizzoli
Production Design:
Franco Lolli
Production Manager:
Franco Magli
Emo Bistolfi
Screenplay:
Mario Guerra
Siro Angeli
Ugo Guerra
Vito Blasi
Amleto Micozzi
Piero De Bernardi
Ennio De Concini
Virgilio Tosi
Leonardo Benvenuti
Mario Camerini
Aldo Paladini
Script Supervisor:
Carla Fierro
Set Decoration:
Piero Tosi
Sound:
Attilio Nicolai
Story:
Cesare Zavattini
Mario Camerini
Unit Manager:
Oscar Brazzi
Renato Tonini
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.