A work in constant progress (and occasional regress).
Release Date:
November 15, 2004
Original Title:
La trappola di Maigret
Alternate Titles:
La trappola
Maigret: La trappola
Ловушка
Мегрэ расставляет сети
Genres:
Mystery | TV Movie
Production Companies:
Grundy Productions
Producciones Cinematográficas del Mediterráneo (PCM) S.L.
RTI - Reti Televisive Italiane
TV3
Telecinco Cinema
Production Countries:
Italy | Spain
Ratings / Certifications:
IT: T
Runtime: 91
A serial killer is stalking the streets of Paris and Maigret has to resort to setting a trap in order to catch him.
Assistant Director:
Gianluca Mazzella
Associate Producer:
Massimo Chiesa
Casting:
Núria Vilert
Alena Kubánková
Fabiola Banzi
Co-Producer:
Aureli De Luna
Ornella Bernabei
Anna Stoppoloni
Costume Design:
Elisabetta Montaldo
Delegated Producer:
Claudia Marra
Director:
Renato De Maria
Director of Photography:
Gian Filippo Corticelli
Editor:
Patrizio Marone
General Manager:
Patrick Carrarin
Hair Department Head:
Mauro Tamagnini
Makeup Department Head:
Esmé Sciaroni
Novel:
Georges Simenon
Original Music Composer:
Nicola Piovani
Producer:
Roberto Sessa
Production Design:
Francesco Frigeri
Sound:
Mario Iaquone
Story:
Sergio Castellitto
Francesco Scardamaglia
Nicola Lusuardi
Story Editor:
Giorgio Fabbri
Teleplay:
Francesco Scardamaglia
Nicola Lusuardi
Sergio Castellitto
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.