A work in constant progress (and occasional regress).
Release Date:
July 2, 1946
Original Title:
The Stranger
Alternate Titles:
Date With Destiny
De Vreemdeling
Die Spur des Fremden
Die Spur eines Fremden
El extranjero
El extraño
Främlingen
Le Criminel
Svetimšalis
ストレンジャー
ストレンジャー/謎のストレンジャー
오손 웰스의 이방인
이방인
Genres:
Crime | Thriller
Production Companies:
International Pictures
RKO Radio Pictures
The Haig Corporation
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 ES: 12 FR: TP PL: 12 PT: M/12 US: NR
Runtime: 95
An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.
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Adaptation:
Victor Trivas
Decla Dunning
Art Direction:
Albert S. D'Agostino
Assistant Director:
Jack Voglin
Assistant Production Manager:
James C. Pratt
Camera Operator:
John L. Russell
Co-Writer:
John Huston
Orson Welles
Costume Designer:
Michael Woulfe
Dialogue:
Gladys Hill
Director:
Orson Welles
Director of Photography:
Russell Metty
Editor:
Ernest J. Nims
Makeup Artist:
Robert Cowan
Orchestrator:
Sidney Cutner
Harold Byrns
Leo Shuken
Original Music Composer:
Bronislau Kaper
Original Story:
Victor Trivas
Producer:
Sam Spiegel
John Huston
Production Design:
Perry Ferguson
Production Manager:
Bernard McEveety
Publicist:
Milton Howe
Screenplay:
Anthony Veiller
Sound:
Corson Jowett
Arthur Johns
Sound Director:
Arthur Johns
Sound Editor:
Corson Jowett
Special Effects:
Harry Redmond Jr.
Still Photographer:
Buddy Longworth
Stunts:
David Sharpe
Supervising Editor:
Paul Weatherwax
Unit Publicist:
Denis Morrison
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.