A work in constant progress (and occasional regress).
Release Date:
March 7, 1975
Original Title:
Profondo rosso
Alternate Titles:
Dario Argento's Deep Red
Les Frissons De L'Angoisse
Prelúdio Para Matar
Prelúdio para Matar [1975]
Profondo Rosso
Rojo oscuro
Suspiria part 2
The Hatchet Murders
サスペリアPART2 赤い深淵
喋血猎杀
深夜止步
深红
써스페리아 2
Genres:
Horror | Mystery | Thriller
Production Companies:
Rizzoli Film
Seda Spettacoli
Production Countries:
Italy
Ratings / Certifications:
FR: 12 JP: R18+ KR: 18 SE: 15 US: R
Runtime: 127
An English pianist living in Rome witnesses the brutal murder of his neighbor, a psychic. With the help of a tenacious young reporter he tries to discover the killer using very unconventional methods, and the two are soon drawn into a shocking web of dementia and violence.
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Assistant Art Director:
Maurizio Garrone
Assistant Camera:
Antonio Tonti
Antonio Annunziata
Assistant Director:
Stefano Rolla
Assistant Editor:
Piero Bozza
Assistant Production Manager:
Carlo Cucchi
Boom Operator:
Eugenio Fiori
Camera Operator:
Ubaldo Terzano
Construction Foreman:
Aldo Taloni
Continuity:
Vivalda Vigorelli
Costume Design:
Elena Mannini
Director:
Dario Argento
Director of Photography:
Luigi Kuveiller
Editor:
Franco Fraticelli
Executive Producer:
Claudio Argento
Foley Artist:
Massimo Anzellotti
Gaffer:
Sergio Coletta
Hairstylist:
Nicla Palombi
Key Grip:
Sergio Emidi
Makeup Artist:
Giovanni Morosi
Makeup Supervisor:
Giuliano Laurenti
Original Music Composer:
Claudio Simonetti
Giorgio Gaslini
Producer:
Salvatore Argento
Production Accountant:
Carlo Du Bois
Production Coordinator:
Cesare Jacolucci
Production Design:
Giuseppe Bassan
Production Manager:
Angelo Iacono
Screenplay:
Bernardino Zapponi
Seamstress:
Angela Viglino
Set Decoration:
Armando Mannini
Set Dresser:
Stefano Olivieri
Sound Editor:
Nick Alexander
Sound Recordist:
Mario Faraoni
Special Effects:
Germano Natali
Carlo Rambaldi
Special Effects Assistant:
Carlo De Marchis
Still Photographer:
Francesco Bellomo
Writer:
Dario Argento
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.