A work in constant progress (and occasional regress).
Release Date:
October 7, 2009
Original Title:
Zombieland
Alternate Titles:
Bem-vindo a Zombieland
Bienvenue à Zombieland
Zumbilândia
Добро пожаловать в Зомбилэнд
Земя на зомбита
Зомбiленд
ゾンビランド
ゾンビランド:2009
喪屍樂園
Genres:
Comedy | Horror
Production Companies:
Columbia Pictures
Pariah
Relativity Media
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BG: D BR: 16 CH: R DE: 16 DK: 15 ES: 12 FI: K-15 FR: 12 GB: 15 HU: 16 IE: 16 IT: T MX: B-15 NL: 16 NO: 15 PL: 18 SE: 15 TR: 18+ UA: 16+ US: R
Runtime: 88
Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.
"A" Camera Operator:
Neal Norton
"B" Camera Operator:
Paul Varrieur
ADR Editor:
Kim Drummond
ADR Recordist:
Rich Crescenti
Art Direction:
Austin Gorg
Assistant Chief Lighting Technician:
Steve Zigler
Assistant Costume Designer:
Joulles Wright
Best Boy Lighting Technician:
Scott Brinson
Boom Operator:
Drew Ponder
Casting:
John Papsidera
Chief Lighting Technician:
Stephen Crowley
Costume Design:
Magali Guidasci
Dialogue Editor:
Scott G.G. Haller
Jacob Riehle
Digital Imaging Technician:
Bob Campi
Director:
Ruben Fleischer
Director of Photography:
Michael Bonvillain
Editor:
Peter Amundson
Alan Baumgarten
Executive Producer:
Ezra Swerdlow
Paul Wernick
Ryan Kavanaugh
Rhett Reese
First Assistant "A" Camera:
David Galbraith
First Assistant "B" Camera:
Clyde E. Bryan
First Assistant Director:
Kim A. Winther
Foley Artist:
Anita Cannella
Vincent Guisetti
Pamela Kahn
Amy Kane
Foley Mixer:
Jeff Gross
Kyle Rochlin
Foley Supervisor:
Michael Dressel
Hair Department Head:
Melissa Yonkey
Key Costumer:
Askia Won-Ling Jacob
Key Grip:
Eddie Evans
Key Hair Stylist:
Carol Raskin
Key Makeup Artist:
Susan Ransom
Makeup Artist:
Donna Martin
Rachel Kick
Makeup Department Head:
Sarah Mays
Original Music Composer:
David Sardy
Producer:
Gavin Polone
Production Design:
Maher Ahmad
Production Supervisor:
Regina Robb
Property Master:
Dwight Benjamin-Creel
Rigging Gaffer:
Mike Robertson
Script Supervisor:
Gail Hunter
Second Assistant "A" Camera:
Josh Hancher
Second Assistant "B" Camera:
Mike Torino
Second Assistant Director:
Heather Wusterbarth
Second Unit Director:
G. A. Aguilar
Set Costumer:
Susan Antonelli
Barnaby Smith
Set Decoration:
Gene Serdena
Set Dresser:
Mark Keever
Ky Hoang Nguyen
Sound Editor:
Eryne Prine
Will Riley
Sound Effects Editor:
Mark Larry
Herwig Maurer
Sound Mixer:
Mary H. Ellis
Larry Hopkins
Sound Re-Recording Mixer:
Tateum Kohut
Greg Orloff
Special Effects Makeup Artist:
André Freitas
Steadicam Operator:
Neal Norton
Stunt Coordinator:
G. A. Aguilar
Jill Brown
Jeffrey Lee Gibson
Stunt Double:
Kimberly Shannon Murphy
Kacie Borrowman
T. Ryan Mooney
Lacy Parish
Luci Romberg
Stunt Driver:
Cal Johnson
Stunts:
Bobby Beckles
Brent Bernhard
Elle Alexander
Gerard 'Gus' Williams
Meegan E. Godfrey
Caroline Vexler
John Cenatiempo
Chris Cenatiempo
Samantha MacIvor
Tim Trella
Peter Epstein
Nicole Callender
Lisa Hoyle
Matt Brockman
Scott Burik
John Copeman
Chris Daniels
Douglas Crosby
Mark Fichera
Aja Frary
Dale Frye
Lex D. Geddings
Damita Jane Howard
Bobby Jordan
Keone Kim
Martin Klebba
Drew Leary
Haley Nott
Victor Paguia
Dave Pope
Stephen A. Pope
Ming Qiu
Steven Ritzi
J.C. Robaina
Michelle Sebek
D.J. Surgent
Trampas Thompson
Joe Nin Williams
Supervising Sound Editor:
Kami Asgar
Sean McCormack
VFX Artist:
Kurt McKeever
Jesse Morrow
Visual Effects:
R. Kevin Clarke
Doug Spilatro
Visual Effects Supervisor:
Paul Linden
Stéphan Kosinski
Writer:
Paul Wernick
Rhett Reese
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.