A work in constant progress (and occasional regress).
Release Date:
October 22, 2004
Original Title:
The Grudge
Alternate Titles:
Gnyav
Ha-Tina
I Katára
Kletva
Proklyatiye
Proklyattya
โคตรผีดุ
じゅおん
美版咒怨
Genres:
Horror | Mystery | Thriller
Production Companies:
Ghost House Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 16 CH: 18 CZ: 15+ DE: 16 FR: 12 GB: 15 HU: 12 IE: 15A KR: 15 NL: 16 PL: 18 PT: M/16 RU: 12+ SE: 15 US: PG-13
Runtime: 92
An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Supervisor:
Toyokazu Hashimoto
ADR Editor:
Ryan Juggler
ADR Mixer:
Michael J. Fox
ADR Supervisor:
Carin Rogers
Art Direction:
Kyoko Yauchi
Assistant Art Director:
Satoshi Kanda
Assistant Camera:
Shingo Gima
Assistant Chief Lighting Technician:
Hidenori nagata
Assistant Costume Designer:
Eric Earl Aycock
Assistant Makeup Artist:
Dianne Ensor
Best Boy Grip:
Daisuke Akazawa
Casting:
Kelly Wagner
Nancy Nayor
Casting Assistant:
David Bernad
Chief Lighting Technician:
Masao Kanazawa
Co-Producer:
Shintaro Shimosawa
Aubrey Henderson
Michael Kirk
Color Timer:
Mato
Construction Coordinator:
Jun Igarashi
Costume Design:
Shawn-Holly Cookson
Miyuki Taniguchi
Dialogue Coach:
Sean Muramatsu
Dialogue Editor:
Gloria D'Alessandro
Digital Colorist:
Andrew Drapkin
Digital Compositors:
Danny Yoon
Director:
Takashi Shimizu
Director of Photography:
Hideo Yamamoto
Editor:
Jeff Betancourt
Executive In Charge Of Production:
Shannon Gaulding
Executive Producer:
Carsten H.W. Lorenz
Nathan Kahane
Joseph Drake
Roy Lee
Doug Davison
First Assistant Camera:
Kiyoshi Itô
First Assistant Director:
Masanori Adachi
First Assistant Editor:
Yoshie Ishiguro
Foley Artist:
Joan Rowe
Sean Rowe
Foley Mixer:
Darrin Mann
Grip:
Tadashi Yokoyama
Lead Animator:
Aaron Kaminar
Line Producer:
Ray Quinlan
Satoshi Fukushima
Makeup Artist:
Veronica Lorenz
Sachie Munemura
Mixing Engineer:
Robert Fernandez
Music Editor:
Thomas Milano
Music Supervisor:
Darian Pollard
Orchestrator:
Sean McMahon
Original Music Composer:
Christopher Young
Post Production Supervisor:
Jack Schuster
Producer:
Sam Raimi
Robert Tapert
Takashige Ichise
Production Accountant:
Maureen Mottram
Production Assistant:
Jennifer Y. Craig
Production Controller:
Lorita Shepherd
Production Coordinator:
Tobin Adams
Production Design:
Iwao Saitô
Production Manager:
Katsuhiro Ogawa
Production Supervisor:
Ed Licht
Rotoscoping Artist:
James Payfer
Script Supervisor:
Kathleen Thomas
Second Assistant Camera:
Toshitaka Akaike
Second Assistant Director:
Chikara Higami
Set Decoration:
Tatsuo Ozeki
Set Designer:
Katsumi Kaneda
Set Dressing Artist:
Tomoko Asai
Tomoko Asai
Sound Effects Editor:
Richard C. Franklin
Ai-Ling Lee
Sound Mixer:
Kiyoshi Kakizawa
Sound Re-Recording Mixer:
Kelly Vandever
Marti D. Humphrey
Special Effects Assistant:
Yoshitaka Makigi
Special Effects Makeup Artist:
Yûichi Matsui
Special Effects Supervisor:
Shûichi Kishiura
Stand In:
Jennifer M. Barr
Standby Painter:
Kazuya Watahiki
Still Photographer:
Takashi Seida
Stunt Coordinator:
Hideo Saito
Stunt Double:
Shunsuke Gondo
Supervising Sound Editor:
Paul N.J. Ottosson
Telecine Colorist:
Anthony Motta
Thanks:
Izumi Evers
Third Assistant Director:
Makoto Meguro
Translator:
Chiho Asada
Unit Publicist:
Cid Swank
VFX Artist:
Peter Kleinsasser
Visual Effects Coordinator:
Yoshiko Yasuoka
Visual Effects Producer:
Danny Martinez
Visual Effects Supervisor:
Kory Jones
Writer:
Stephen Susco
Takashi Shimizu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.