A work in constant progress (and occasional regress).
Featuring:
Nathalie Bonnifay, George Alexandru, Marius Stanescu
Written by:
Nae Caranfil
Directed by:
Nae Caranfil
Release Date:
May 26, 1993
Original Title:
È pericoloso sporgersi
Alternate Titles:
Les dimanches de permission
Genres:
Comedy | Drama
Production Companies:
CNC
Compagnie des Images
Filmex Romania
Mainstream
Production Countries:
France | Romania
Ratings / Certifications:
N/A
Runtime: 104
It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?
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Assistant Camera:
Mihai Mihăilescu
Ștefan Topana
Assistant Director:
Ion Diaconeasa
Gabriel Bucur
Erika Negrescu
George Savu
Assistant Editor:
Valentina Balan
Maria Roman
Assistant Production Design:
George Savu
Gabriel Bucur
Ion Diaconeasa
Assistant Set Designer:
Tudor Giurgiu
Camera Operator:
Lucia Suru
Nora Irimescu
Cinematography:
Cristian Comeaga
Color Timer:
Gina Stoica
Costume Design:
Maria Peici
Costumer:
Ioana Udrea
Director:
Nae Caranfil
Editor:
Victorița Nae
Electrician:
Constantin Oprea
Costica Vasiliu
Tănase Ion
Executive Producer:
Titi Popescu
Gaffer:
Mihai Ionita
Graphic Designer:
Mihaela Vasilescu
Grip:
Nicolae Trandafir
Makeup Artist:
Mihai Mihăilescu
Music:
Nae Caranfil
Anton Șuteu
Post-Production Manager:
Chantal Guyot
Producer:
Jean-Martial Lefranc
Production Assistant:
Mihai Lazar
Ion Necula
Production Design:
Gloria Papura
Production Manager:
Mihai Stavila
Production Secretary:
Mihaela Gaita
Second Unit Director:
Mihnea Columbeanu
Sound:
Anusavan Salamanian
Sound Assistant:
Vasile Luca
Still Photographer:
Ion Costache
Wardrobe Designer:
Tora Dragomir
Bianca Ghita
Writer:
Nae Caranfil
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.