A work in constant progress (and occasional regress).
Release Date:
November 20, 1973
Original Title:
Troppo rischio per un uomo solo
Alternate Titles:
Demasiado riesgo para un hombre solo
Magnificent Daredevils
Velocidade, Caminho da Morte
Genres:
Crime | Drama
Production Companies:
Cinecompany
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 104
A race-car driver must elude the police and two rival criminal organizations as he tries to locate a suitcase full of heroin and absolve himself of murder.
Administration:
Alberto Passone
Art Direction:
Lucio Lucentini
Assistant Camera:
Oddone Bernardini
Assistant Editor:
Maria Pia Appetito
Bruno Sgueglia
Boom Operator:
Manlio Urbani
Camera Operator:
Gianni Maddaleni
Conductor:
Roberto Pregadio
Costume Design:
Barbara Pugliese
Director:
Luciano Ercoli
Director of Photography:
Claudio Cirillo
Editor:
Angelo Curi
First Assistant Director:
Riccardo Pizzuti
Foley Artist:
Italo Cameracanna
Gaffer:
Bruno Angeletti
Hairstylist:
Anna Cristofani
Key Grip:
Amerigo Casagrande
Line Producer:
Antonio Negri
Makeup Artist:
Walter Cossu
Original Music Composer:
Gian Paolo Chiti
Producer:
Alberto Pugliese
Luciano Ercoli
Production Design:
Antonio Fioretto
Production Manager:
Claudio Grassetti
Screenplay:
Luciano Ercoli
Franco Nano
Giorgio Capitani
Rodolfo Cappellini
Gino De Santis
Script Supervisor:
Vivalda Vigorelli
Sound:
Raul Montesanti
Sound Effects Editor:
Aurelio Pennacchia
Ezio Marcorin
Sound Mixer:
Alberto Bartolomei
Franco Bassi
Sound Recordist:
Raffaele Benedetti
Still Photographer:
Claudio Cannizzaro
Story:
Ernesto Gastaldi
Luciano Ercoli
Unit Manager:
Giuliano Principato
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.