A work in constant progress (and occasional regress).
Release Date:
October 7, 1998
Original Title:
Hornblower: The Even Chance
Alternate Titles:
Horatio Hornblower: The Duel
Hornblower - Die gleiche Chance
Genres:
Adventure | TV Movie | War
Production Companies:
Meridian Broadcasting Ltd
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 100
Portsmouth, 1794. Under thundery skies and in lashing rain, 17-year-old midshipman Horatio Hornblower takes the first tentative steps of his naval career, but a feud with a shipmate causes complications.
Armorer:
Richard Rutherford-Moore
Art Direction:
Mike Joyce
Jan Chaney
Cliff Robinson
Assistant Director:
Alex Gibb
Giles Butler
David Mason
Assistant Editor:
Matthew Tucker
Boom Operator:
St. Clair Davis
Camera Operator:
Steve Murray
Casting:
Susie Parriss
John Hubbard
Costume Design:
John Mollo
Director:
Andrew Grieve
Director of Photography:
Neve Cunningham
Draughtsman:
Matthew Robinson
Editor:
Keith Palmer
Executive Producer:
Delia Fine
Vernon Lawrence
Focus Puller:
Paul Donachie
Gaffer:
Paul Hill
Line Producer:
Peter Richardson
Makeup & Hair:
Kevin Alexander
Veyatie MacLeod
Makeup Supervisor:
Christine Allsopp
Novel:
C. S. Forester
Original Music Composer:
John E. Keane
Producer:
Andrew Benson
Production Accountant:
Pauline Granby
Production Coordinator:
Adele Steward
Production Design:
Andrew Mollo
Production Manager:
Andrew Wood
Leela Poedra
Production Supervisor:
Lorraine Goodman
Property Buyer:
Alison S. Richardson
Property Master:
Brian Henry
Publicist:
Shelagh Pymm
Script Supervisor:
Amanda Lean
Second Unit Director:
Mary Soan
Second Unit Director of Photography:
Graham Frake
Set Decoration:
Christian Huband
Sound Recordist:
Christian Wangler
Stunt Coordinator:
Jordi Casares
Stunt Double:
Sviatolsav Barabolia
Stunts:
Blake Sporne
Oleg Botin
Wardrobe Master:
Gordon Harmer
Writer:
Russell Lewis
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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