A work in constant progress (and occasional regress).
Release Date:
November 25, 1996
Original Title:
Fall Into Darkness
Alternate Titles:
La falaise maudite
Mörklagt mord
Secrete întunecate
Vingança de Amor
Von Rache besessen
Genres:
Mystery | TV Movie
Production Companies:
Christopher Pike Productions
Pacific Motion Pictures
Patchett Kaufman Entertainment
Production Countries:
United States of America
Ratings / Certifications:
CA: 14A US: PG-13
Runtime: 88
Teenager Ann resents the arrival of Sharon and the fact that her brother Jerry has a crush on the newcomer. When Jerry dies in an accident, Ann blames Sharon and frames her for another death.
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Associate Producer:
Debbie Smith
Boom Operator:
Tony Giacinti
Camera Operator:
Nathaniel Massey
Casting:
Junie Lowry-Johnson
Sid Kozak
Casting Associate:
Ron Surma
Co-Editor:
Scott Grayson
Co-Executive Producer:
Christopher Pike
Construction Coordinator:
Glenn Woodruff
Costume Design:
Beverley Wowchuk
Heidi Kaczenski
Director:
Mark Sobel
Director of Photography:
Miklós Lente
Editor:
Jonathon Braun
Executive Producer:
Kenneth Kaufman
Extras Casting:
Linda LaBelle
First Assistant Camera:
Dale H. Jahraus
First Assistant Director:
Blair Roth
Gaffer:
Einar Hansen
Hairstylist:
Gene Kendall
Key Grip:
David Cameron
Location Manager:
Nancy Larman
Makeup Artist:
Jayne Dancose
Music:
Cory Lerios
John D'Andrea
Music Editor:
Marty Wereski
Novel:
Christopher Pike
Producer:
Stephanie Hagen
Harriet Brown
Production Coordinator:
Catherine Howard
Production Design:
William Strom
Property Master:
Clive Edwards
Script Supervisor:
Stephanie Rossel
Second Assistant Director:
Suzan Derkson
Set Decoration:
Peter Lando
Sound Mixer:
Larry Sutton
Special Effects Coordinator:
Allen Benjamin
Steadicam Operator:
Nathaniel Massey
Stunt Coordinator:
Jim Dunn
Stunts:
Dave Hospes
Melissa R. Stubbs
Dan Redford
Sarah Butterworth
Supervising Producer:
Ann Kindberg
Teleplay:
J.B. White
Transportation Coordinator:
Bob Dennett
Unit Production Manager:
Ron McLeod
Wardrobe Supervisor:
Patricia Hargreaves
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.