A work in constant progress (and occasional regress).
Release Date:
February 14, 2014
Original Title:
3 Days to Kill
Alternate Titles:
3 Dias Para Matar
3 Yamim laharog
3 dana za ubistvo
3 dana za ubojstvo
3 nap a halálig
3 Дня на убийство
3 днi на вбивство
72 godziny
Last Mission
Son Üç Gün
Three Days to Kill
Tres días para matar
Trois jours pour tuer
Trys dienos nuzudyti
سه روز تا کشتار
ラストミッション
쓰리데이즈 투 킬
Genres:
Action | Drama | Thriller
Production Companies:
20th Century Fox
3DTK, Inc.
EuropaCorp
Relativity Media
Wonderland Sound and Vision
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 14 CA: 18A CZ: U DE: 12 DK: 15 ES: 16 FR: U GB: 12 GR: Κ-15 HU: 16 IE: 15 JP: PG12 KR: 15 NL: 12 NO: 15 PT: M/12 SE: 15 US: PG-13
Runtime: 113
A dangerous international spy is determined to give up his high stakes life to finally build a closer relationship with his estranged wife and daughter. But first, he must complete one last mission - even if it means juggling the two toughest assignments yet: hunting down the world's most ruthless terrorist and looking after his teenage daughter for the first time in ten years, while his wife is out of town.
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Art Direction:
Natalie Weinmann
Assistant Art Director:
Stephanie Laurent Delarue
Boom Operator:
Lionel Dousset
Casting:
Kim Davis-Wagner
Justine Arteta
Aleksandar Adžić
Swan Pham
Co-Executive Producer:
Ron Burkle
Jason Colbeck
Construction Coordinator:
Joe Del Monte
Costume Designer:
Olivier Bériot
Costume Supervisor:
Momirka Bailović
Dialogue Editor:
Guillaume Battistelli
Damien Aubry
Director:
McG
Director of Photography:
Thierry Arbogast
Editor:
Audrey Simonaud
Executive Producer:
Tucker Tooley
Christophe Lambert
First Assistant Director:
Ludovic Bernard
Foley:
Daniel Gries
Gaffer:
Gregory Fromentin
Location Manager:
Marija Markovic
Antonio Rodrigues
Makeup Department Head:
Mario Michisanti
Music Editor:
Mike Flicker
Matt Friedman
Samuel Potin
Original Music Composer:
Guillaume Roussel
Producer:
Marc Libert
Ryan Kavanaugh
Virginie Besson-Silla
Luc Besson
Adi Hasak
Production Design:
Sébastien Inizan
Production Executive:
Breean Solberg
Production Manager:
Bruno Amestoy
Property Master:
Tristan Girault
Eddie Grisco
Screenplay:
Adi Hasak
Luc Besson
Set Costumer:
Stéphanie Watrigant
Set Designer:
Ryan Garton
Sound:
Stéphane Bucher
Frédéric Dubois
Didier Lozahic
Sound Re-Recording Mixer:
Matthieu Dallaporta
Didier Lozahic
Special Effects Coordinator:
Muhamed M'Barek
Story:
Luc Besson
Storyboard Artist:
Adolfo Martínez Pérez
Studio Teachers:
Letitia Hoaas
Stunt Coordinator:
Dominique Fouassier
Stunt Double:
Tim Gilbert
Stunt Driver:
Virginie Arnaud
Alain Villain
Supervising Sound Editor:
Frédéric Dubois
Transportation Captain:
Bozidar Marinkovic
Transportation Coordinator:
Hector M. Gonzalez
Eliana Bantchev
Unit Manager:
Antonio Rodrigues
Visual Effects Producer:
Simon Descamps
Visual Effects Supervisor:
Christophe Ferrier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.