A work in constant progress (and occasional regress).
Release Date:
May 19, 2013
Original Title:
White Collar Hooligan 2: England Away
Alternate Titles:
The Rise & Fall of a White Collar Hooligan 2: England Away
Genres:
Crime | Thriller
Production Companies:
Chata Pictures
Press On Features
Runaway Features
Shivnath Productions
Templeheart Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 GB: 18
Runtime: 93
Mike Jacobs thinks he's safe in Witness Protection in Spain. However, when he's spotted at an England game, a deadly game of cat and mouse between London, Marbella and New York ensues.
Additional Editor:
Matt Robinson
Armorer:
Clive Shaw
Art Direction:
Damien McPhillips
Boom Operator:
Jorge Flor
Juan Bertrán
Camera Operator:
Luke Oliver
Colorist:
Jack Jones
Costume Design:
Kim Tizard-Lee
Dialogue Editor:
Tom Turner
Mark Apicella
Digital Imaging Technician:
Holly Mounter
Director:
Paul Tanter
Director of Photography:
Haider Zafar
Electrician:
Jason Kalmanowitz
Extras Casting:
Johnny Lynch
Extras Casting Assistant:
Susan Fordham
Jamie Edgerton
Foley Artist:
Jenny Lee Wright
Gaffer:
Jimmy DeMarco
Simon Olney
Makeup Artist:
Valeria Zimmermann
Sherianne Butron
Producer:
Paul Tanter
Alain Wildberger
Simon Phillips
Jonathan Sothcott
Production Assistant:
Rafael Mayordomo
Jonathan Csukardi
Production Design:
Felix Coles
Production Manager:
Valeria Puig
Script Supervisor:
Taz Ayoub
Sound Effects Editor:
Tom Vandyk
Matt Davies
Sound Mixer:
Pablo Díez Casajuana
Sound Re-Recording Mixer:
Keith Nixon
John York
Sound Recordist:
Matthew Weeks
Chris Sutton
Leticia Argudo
Still Photographer:
Aimee Spinks
Supervising Sound Editor:
John York
Visual Effects Producer:
Drew Render
Writer:
Paul Tanter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.