American Sniper (2014) [R]

Release Date:
December 25, 2014

Original Title:
American Sniper

Alternate Titles:
El Francotirador (2014)
Francotirador
Sniper Americano
Tireur d'élite américain
Ελεύθερος Σκοπευτής
Американський снайпер
تک تیرانداز آمریکایی
アメリカン・スナイパー
アメリカン・スナイパー:2014
美國狙擊手
아메리칸 스나이퍼

Genres:
Action | War

Production Companies:
22nd & Indiana Pictures
Mad Chance
Malpaso Productions
RatPac Entertainment
Village Roadshow Pictures
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: MA15+  BR: 16  CA: 14A  CH: 16  CZ: 15+  DE: 16  DK: 15  ES: 16  FR: TP  GB: 15  GR: 15  HU: 16  IE: 15A  IT: T  KR: 18  LT: N-16  NL: 16  NZ: R15  PL: 18  PT: M/14  RO: 15  SE: 15  TW: 輔12  UA: PG-13  US: R 

Runtime: 133

The most lethal sniper in U.S. history.

U.S. Navy SEAL Chris Kyle takes his sole mission—protect his comrades—to heart and becomes one of the most lethal snipers in American history. His pinpoint accuracy not only saves countless lives but also makes him a prime target of insurgents. Despite grave danger and his struggle to be a good husband and father to his family back in the States, Kyle serves four tours of duty in Iraq. However, when he finally returns home, he finds that he cannot leave the war behind.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

2D Supervisor:
Warwick Campbell

ADR Editor:
Curt Schulkey

Aerial Camera:
Ryan Hosking

Animation:
Tommy Cheng
Jonathan Macintosh
Julia Flanagan

Animation Supervisor:
Catherine Mullan
Aaron Barlow

Art Department Assistant:
Molly Hunter Flick
Kendall Huberman
Rudy Oblak

Art Department Coordinator:
Christine Youngstrom
Sami Gaidi

Art Direction:
Harry E. Otto
Dean Wolcott

Assistant Art Director:
Rachid Quiat

Assistant Chief Lighting Technician:
John Lacy

Assistant Makeup Artist:
Salima Oulad Dahhou
Sven Granlund
Magen Grays

Assistant Production Coordinator:
Michelle Chan Wong

Assistant Property Master:
Jeff Angelo
Greg Gonzalez

Assistant Sound Editor:
Kevin Murray

Book:
Chris Kyle
Scott McEwen
Jim DeFelice

Camera Operator:
Stephen S. Campanelli

Carpenter:
Mitch Naber

Casting:
Geoffrey Miclat

Compositing Supervisor:
Miles Lauridsen

Construction Coordinator:
Joe Ondrejko
Ray Barrett

Costume Design:
Deborah Hopper

Costume Supervisor:
Mitchell Ray Kenney

Dialect Coach:
Tim Monich

Dialogue Editor:
David V. Butler

Digital Imaging Technician:
Eduardo Eguia
Daniel A Hernandez

Digital Intermediate:
Erik Kaufmann
Adam Ohl

Director:
Clint Eastwood

Director of Photography:
Tom Stern

Dolly Grip:
Greg Brooks

Dresser:
Randy Severino

Editor:
Joel Cox
Gary D. Roach

Electrician:
Thami Lahrach

Epk Camera Operator:
Michael Fitzgerald

Executive Producer:
Jason Dean Hall
Bruce Berman
Sheroum Kim
Tim Moore
Steven Mnuchin

First Assistant "A" Camera:
Bill Coe
Dan Ming

First Assistant "B" Camera:
James W. Apted

First Assistant Director:
David M. Bernstein

Foley:
John T. Cucci
Dan O'Connell

Gaffer:
Ross Dunkerley
Driss Marzak

Graphic Designer:
Kevin Kalaba

Grip:
Robert Chinello

Hair Department Head:
Patricia DeHaney

Hairstylist:
Carol A. O'Connell
Terry Baliel
Carol Pershing
Lori McCoy-Bell

Helicopter Camera:
Ryan Hosking

Key Grip:
Charles Saldaña

Key Hair Stylist:
Carol A. O'Connell

Key Makeup Artist:
Jay Wejebe

Leadman:
Abdenabi Izlaguen
Anthony Carlino

Lighting Technician:
Yassine Abounouom
Buzzy Burwell
Trish Herremans
Thomas P. Marshall
Nick Zeigler

Loader:
Nathan Stern

Makeup Artist:
Janeen Schreyer
Jay Wejebe
Sonia Akouz
Elena Arroy
Ed French
Brian Waltsak
Edouard F. Henriques
Margaret E. Elliott
Khalid Alami
Nezha Aouis
Audrey Doyle
Jessica Brooks

Makeup Department Head:
Luisa Abel

Matchmove Supervisor:
Marc Jones

Matte Painter:
Josh Judd
Audrius Urbonavicius

Modelling Supervisor:
Marvin Kim

Painter:
Curtis Hamill

Producer:
Clint Eastwood
Robert Lorenz
Andrew Lazar
Bradley Cooper
Peter Morgan

Production Assistant:
Weston Middleton

Production Design:
Charisse Cardenas
James J. Murakami

Production Supervisor:
Holly Hagy

Property Master:
Michael Sexton

Prosthetics:
Gary Archer

Rigging Gaffer:
Jason C. Fitzgerald

Script Supervisor:
Kerry Lyn McKissick

Second Assistant "A" Camera:
Max Deleo
Bobby McMahan

Second Assistant "B" Camera:
Trevor Carroll-Coe

Second Unit Director of Photography:
Barry Idoine

Set Costumer:
Corey Bronson

Set Decorating Coordinator:
Anne Tobin

Set Decoration:
Gary Fettis

Set Decoration Buyer:
Samuel J. Tell
John W. Micheletos

Set Designer:
Josh Lusby
Paul Sonski
Eric Sundahl

Set Dresser:
Max Bostic
Mark Boucher
Lahcen Elyazidi
David Ladish

Sound Designer:
Tom Ozanich

Sound Effects Editor:
Jason King
Mark Larry
Roland N. Thai

Sound Mixer:
Walt Martin

Sound Re-Recording Mixer:
Matthew Iadarola
Gregg Rudloff
John T. Reitz

Special Effects Coordinator:
Brendon O'Dell
Hanin Ouidder

Special Effects Makeup Artist:
Koji Ohmura

Special Effects Supervisor:
Mike Edmonson
Steve Riley

Steadicam Operator:
Peter Rosenfeld

Still Photographer:
Keith Bernstein

Storyboard Artist:
John Mann

Stunt Coordinator:
Faycal Attougui
Jeff Habberstad
Trevor Habberstad

Stunt Double:
Rick Avery

Stunts:
Jeffrey G. Barnett
Anthony N.

Supervising ADR Editor:
Katy Wood

Supervising Dialogue Editor:
Katy Wood

Supervising Sound Editor:
Bub Asman
Alan Robert Murray

Transportation Coordinator:
Ali Bakkioui
Larry Stelling

Utility Stunts:
Zack Duhame

VFX Editor:
Michael Fournier
Nick Murphy

VFX Supervisor:
Matt Welford

Visual Effects Coordinator:
Ashley Bellm
Zaira Brilhante
Hugh Brompton
Jillian Brooks
Ann Chow
Amber Davy
Ben Harrison
Blair Brownlee
Ahman Hung

Visual Effects Producer:
John Clinton
Jennifer Fairweather
Darin McCormick-Millett
Max Leonard

Visual Effects Production Manager:
Tim Pounds-Cornish
Holly Price
Cara Tallulha Davies

Visual Effects Supervisor:
Mark Breakspear
Greg Butler
Phillip Feiner
Jamie Hallett
Peter Muyzers
Michael Owens
Matt Seckman

Writer:
Jason Hall

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.