A work in constant progress (and occasional regress).
Release Date:
February 1, 2010
Original Title:
Wolverine and the X-Men: Fate of the Future
Genres:
Animation
Production Companies:
EVA Finance
First Serve International
Liberation Entertainment
Marvel Animation
Marvel Studios
Toonz Animation India
Toonz Entertainment
Production Countries:
Germany | India | United States of America
Ratings / Certifications:
N/A
Runtime: 110
Wolverine and the X-Men race through time to regain control of their destiny in Volume 4: Fate of the Future. Evil attempts to rewrite the past, and the mutant heroes must prevent a perilous future in these five time-bending episodes. History repeats itself when Wolverine's past resurfaces, forcing him to repay old debts in "Stolen Lives." In "Code of Conduct," Wolverine's history returns again when the X-Men are threatened by the Silver Samurai who challenges the adamantine hero to another duel. In "Badlands," Logan's captivity helps spawn a new breed of Sentinels to terrorize the future. And before Mojo rips their friendship apart, Nightcrawler struggles to convince a brainwashed Wolverine of their lost days together in "Hunting Grounds." Finally, in "Backlash," when Wolverine learns that Master Mold is the same nemesis for tomorrow's X-Men, he must protect his fellow mutants before the future becomes obsolete.
Associate Producer:
Kai-Roger Gruneke
Joshua Fine
Hari Varma
Atul N. Rao
Spencer Pollard
Casting Director:
Jamie Simone
Co-Producer:
Stefan Brunner
Jay Sethuram
Sam Mandel
Jay Boberg
Michel Vandewalle
Line Producer:
Susan Corbin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.