A work in constant progress (and occasional regress).
Release Date:
March 26, 2002
Original Title:
Highway
Genres:
Action | Adventure | Drama
Production Companies:
Alex Entertainment Inc.
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 97
Jack is caught with the wife of his employer, a Vegas thug. The thug sends goons after Jack, who convinces his best friend, Pilot, to flee with him. Pilot insists that they head for Seattle, but doesn't tell Jack why. The goons learn from Pilot's drug source where the youths are headed, and they follow, hell bent on breaking Jack's feet. On the road, Jack and Pilot give a ride to Cassie, a distressed young woman. She and Jack hit it off. They pick up an aging stoner headed to Seattle for Kurt Cobain's memorial, and they help a circus sideshow family. Why is Pilot so set on Seattle, will the goons catch Jack, and is there any way the friends' competing needs can be resolved?
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Alan Freedman
Yuri Reese
Art Direction:
Gilbert Wong
Assistant Sound Editor:
Robert Getty
Chato Hill
Associate Producer:
Bill Bymel
Best Boy Electrician:
Ian Jennings
Boom Operator:
Misty Conn
Cableman:
Richard Bullock Jr.
Camera Loader:
Diane Broussalian
Camera Operator:
Scott Browner
Casting:
Joseph Middleton
Jodi Rothfield
Color Timer:
Bob McMillian
Costume Design:
Susan Matheson
Costume Supervisor:
Sally Roberts
Craft Service:
Michael "Mox" Pappas
Dialogue Editor:
David Grant
Kevin Hamilton
Jed M. Dodge
Jason George
Louis Creveling
Director:
James Cox
Director of Photography:
Mauro Fiore
Michel Amathieu
Editor:
Craig Wood
Executive In Charge Of Post Production:
Jody Levin
Executive In Charge Of Production:
Carla Fry
Executive Producer:
Michael De Luca
Michael Gruber
Donna Langley
First Assistant Accountant:
Lisa G. Shillingburg
First Assistant Camera:
Mark Spath
First Assistant Director:
Justin Muller
First Assistant Editor:
Simon Morgan
Foley Artist:
David Lee Fein
Diane Marshall
Foley Editor:
Craig Jurkiewicz
Foley Mixer:
Lucy Sustar
David Jobe
Gaffer:
Neil Holcomb
Hair Department Head:
Larry Waggoner
Key Grip:
Marc Andrus
Leadman:
Kenneth Milfred
Makeup Supervisor:
Scott H. Eddo
Music Coordinator:
P.J. Bloom
Ray Espinola Jr.
Music Editor:
Mike Flicker
Brian Richards
Negative Cutter:
Gary Burritt
Post Production Supervisor:
Mark Graziano
Jay Vinitsky
Producer:
Guy Riedel
Scott Rosenberg
Production Accountant:
M.K. Gleason
Production Coordinator:
Wendy Riseborough
Production Design:
Barry Robison
Property Master:
Sean Everett
Screenplay:
Scott Rosenberg
Script Supervisor:
Monica Ochoa
Second Assistant Camera:
David O'Brien
Second Assistant Director:
John M. Morse
Second Second Assistant Director:
Sally Sue Beisel
Second Unit Director of Photography:
Bill Tunnicliffe
Set Decoration:
Barbara Munch
Sound Designer:
Lance Brown
Sound Effects Editor:
Aaron D. Weisblatt
Michael Kamper
Benjamin L. Cook
Michael Mullane
Sound Mixer:
Robert Marts
Sound Re-Recording Mixer:
Lance Brown
Marc Fishman
Joe Barnett
Yuri Reese
Derek Marcil
Still Photographer:
Tracy Bennett
Storyboard Artist:
Chris Buchinsky
Stunt Double:
Laura Lee Connery
Supervising ADR Editor:
Robert Jackson
Supervising Sound Editor:
Cormac Funge
Transportation Captain:
John Simanovich
Transportation Coordinator:
James Lowder
Unit Production Manager:
Udi Nedivi
Unit Publicist:
Deborah Wuliger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.