A work in constant progress (and occasional regress).
Release Date:
May 19, 1998
Original Title:
Fear and Loathing in Las Vegas
Alternate Titles:
Angst und Schrecken in Las Vegas
Fear & Loathing in Las Vegas
Frykt og avsky i Las Vegas
Fóvos kai paránoia sto Las Vénkas
Las Vegas Parano
Miedo y asco en Las Vegas
Paranoja u Las Vegasu
Pánico y locura en Las Vegas
Rasu Begasu o yattsukero
Strakh i nenavist' v Las-Vegase
Strakh i ohyda v Las-Vehasi
Strakh i omraza v Las Vegas
ラスベガスをやっつけろ
라스베가스의 공포와 혐오
Genres:
Adventure | Comedy | Drama
Production Companies:
Fear and Loathing LLC
Rhino Films
Shark Productions
Summit Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AR: 18 AU: R 18+ BR: 18 CA: 18A CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-18|K-16 FR: 12|16 GB: 18 HU: 18 IE: 18 IL: 18 IS: 16 IT: T JP: R18+ MX: C NL: 16 NO: 15 NZ: R18 PH: R-18 PL: 18 PT: M/16 SE: 15 SG: R21 TR: 18+ US: R
Runtime: 118
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
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ADR Editor:
Joe Gallagher
ADR Mixer:
J.R. Westen
ADR Recordist:
Paul Carr
ADR Supervisor:
Stephen Bridgewater
Ager/Dyer:
Rebeka L. Roberts
Art Department Assistant:
Dianne Chadwick
Art Department Coordinator:
Andrea Carter
Art Direction:
Chris Gorak
Assistant Costume Designer:
Kimberly Adams
Assistant Editor:
Jeremy Hume
Assistant Location Manager:
R. Scott Poole
Assistant Production Coordinator:
Nancy Restuccia
Alisa Moeller
Assistant Sound Editor:
Martin Cantwell
Associate Producer:
John Jergens
Best Boy Electric:
James Babineaux
Best Boy Grip:
Vidal Cohen
Boom Operator:
Randy Smith
Camera Loader:
Lila Byall
Camera Operator:
Frank Perl
Camera Production Assistant:
Sonja Rom
Casting:
Margery Simkin
Casting Assistant:
Carmen Cuba
Catering:
Jose Gonzales
Choreographer:
JoAnn Fregalette Jansen
Co-Producer:
Elliot Lewis Rosenblatt
Color Timer:
David Rees
Construction Coordinator:
Dan Pemberton
Construction Foreman:
Tom Lifsey
Costume Design:
Julie Weiss
Costume Supervisor:
Eden Clark Coblenz
Costumer:
Bryan Birge
Craft Service:
Gary Gingold
Dialogue Editor:
Alan Paley
Director:
Terry Gilliam
Director of Photography:
Nicola Pecorini
Dolly Grip:
Carlos M. Gallardo
Driver:
Pedro Amaya
Editor:
Lesley Walker
Electrician:
Reynaldo Barrera
Executive Producer:
Richard Foos
Harold Bronson
First Assistant "A" Camera:
Steve Itano
First Assistant Accountant:
Susan Giordano
First Assistant Camera:
Łukasz Bielan
First Assistant Director:
Philip A. Patterson
Foley Editor:
Bob Risk
Gaffer:
Christopher Lyons
Graphic Designer:
Martin Charles
Greensman:
Frank McEldowney
Hairstylist:
Bridget Cook
Intern:
Sav Akyüz
Key Costumer:
John Linsmeier
Key Grip:
Peter Chrimes
Key Makeup Artist:
Cheryl Ann Nick
Leadman:
Mark Weissenfluh
Location Assistant:
Serena Baker
Location Manager:
Molly Allen
Makeup Artist:
Lisa Rocco
Makeup Effects:
Rob Bottin
Music Editor:
Kevin Lane
Musician:
Caroline Dale
Novel:
Hunter S. Thompson
Original Music Composer:
Ray Cooper
Painter:
Ronald Day
Payroll Accountant:
Kristen Felan
Picture Car Coordinator:
Randy Benjamin
Post Production Assistant:
Roanne Moore
Post Production Supervisor:
Michael Solinger
Producer:
Stephen Nemeth
Patrick Cassavetti
Laila Nabulsi
Production Assistant:
Keli Craig
Production Coordinator:
Pearl A. Lucero
Production Design:
Alex McDowell
Production Illustrator:
Tani Kunitake
Production Sound Mixer:
Jay Meagher
Property Master:
Will Blount
Propmaker:
Earl F. Betts
Researcher:
Deborah Ricketts
Scenic Artist:
Maureen Kropf
Screenplay:
Terry Gilliam
Tod Davies
Tony Grisoni
Alex Cox
Script Supervisor:
Karon May
Sculptor:
Glen Hanz
Seamstress:
Olga Ishkhanova
Second Assistant Accountant:
Jenni Wieland
Second Assistant Camera:
Warren Feldman
Second Assistant Director:
Christina Fong
Second Second Assistant Director:
Seth Edelstein
Second Unit Director:
Bruce Logan
Set Costumer:
Linda S. Cormany
Set Decoration:
Nancy Haigh
Set Designer:
Lynn Christopher
Set Dresser:
Paige Augustine
Set Medic:
Gloria M. Fujita
Set Production Assistant:
Jimmy Bennett
Sound Re-Recording Mixer:
Dominic Lester
Special Effects Assistant:
Joe Barden
Special Effects Coordinator:
Steve Galich
Special Effects Supervisor:
Ray Svedin
Stand In:
Matt Langenbach
Standby Painter:
Mark Blumenthal
Steadicam Operator:
Nicola Pecorini
Still Photographer:
Peter Mountain
Stunt Coordinator:
Noon Orsatti
Stunt Double:
Jimmy Ortega
Stunts:
Kelly Joe Dugan
Ernie F. Orsatti
Supervising Sound Editor:
Peter Pennell
Swing:
P. Scott Bailey
Transportation Co-Captain:
Pat Stubbs
Transportation Coordinator:
James Lowder
Unit Production Manager:
Mark Indig
Unit Publicist:
Michael Singer
Utility Sound:
David Acord
Video Assist Operator:
Ian Kelly
Visual Effects Coordinator:
Michael Cooper
Visual Effects Supervisor:
Kent Houston
Wardrobe Assistant:
Amy Gilliam
Wigmaker:
Bill Fletcher
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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