A work in constant progress (and occasional regress).
Featuring:
Sean Pertwee, Catherine Zeta-Jones, Ewan McGregor
Written by:
Peter Salmi
Carl Prechezer
Tim Veglio
Directed by:
Carl Prechezer
Release Date:
September 15, 1995
Original Title:
Blue Juice
Alternate Titles:
A hullámok rabjai
Genres:
Comedy | Romance
Production Companies:
Film4 Productions
Skreba Films
Production Countries:
United Kingdom
Ratings / Certifications:
US: R
Runtime: 90
JC is the hero of the Cornish surfing community. Staring thirty hard in the face, he fears that the wave that has carried him through a prolonged adolescence is heading for the rocks as his girlfriend pressures him for commitment and his friends contemplate growing up.
JC is at the end of his Twenties and is living with his girlfriend Chloe in a small coastal town in England. He is a surfer legend and some day, three of his friends show up, including Terry who is about to get married. While he is supposed to have the last good time in his life, Josh (a successful Techno music producer) tries to figure out what type of music he likes most and Dean, who sells drugs on a regular basis, must face the fact that his life is not what he would like it to be. JC has his own problems with Chloe: Will he stay with her and run a surfer coffee shop or travel around the world without her?
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Accountant:
Rajeshree Patel
Keith Chapple
Art Direction:
Tristan Peatfield
Assistant Art Director:
Richard Field
Boom Operator:
Stuart Wilson
Casting:
Abi Cohen
Costume Assistant:
Lou Durkin
Costume Design:
Linda Alderson
Dialogue Editor:
Ian Wilson
Director:
Carl Prechezer
Director of Photography:
Richard Greatrex
Editor:
Michael Ellis
First Assistant Director:
David Daniels
First Assistant Editor:
Maria Walker
Focus Puller:
Brad Larner
Foley Artist:
Jack Stew
Diane Greaves
Foley Editor:
Michael Redfern
Grip:
Pat Garrett
Hair Department Head:
Kirstin Chalmers
Idea:
Carl Prechezer
Tim Veglio
Peter Salmi
Location Assistant:
Nigel Aird
Location Manager:
Fran Robertson
Rosa Romero
Makeup Artist:
Sammy Serjeant
Makeup Department Head:
Kirstin Chalmers
Original Music Composer:
Simon Davison
Post Production Supervisor:
Jane Headland
Producer:
Simon Relph
Peter Salmi
Production Accountant:
Jane Headland
Production Assistant:
Joe Cornish
Lucy Amor
Adam Scott
Victoria Pitkethly
Julius Brighton
Production Coordinator:
Deryn Stafford
Production Design:
Mark Tildesley
Production Manager:
Anita Overland
Production Secretary:
Caroline Thomas
Property Master:
Mike Mallick
Screenplay:
Peter Salmi
Carl Prechezer
Script Supervisor:
Julia Richards
Second Assistant Director:
Stephen Woolfenden
Second Unit Director:
Tim Veglio
Second Unit Director of Photography:
James Welland
Sound:
Danny Hambrook
Sound Effects Editor:
Stuart Wilson
Still Photographer:
Liam Longman
Alex Williams
Third Assistant Director:
Toby Coke
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.