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Fur: An Imaginary Portrait of Diane Arbus (2006) [R]

Release Date:
August 30, 2006

Original Title:
Fur: An Imaginary Portrait of Diane Arbus

Alternate Titles:
Diane Arbus - Eine besondere Liebesgeschichte
Fell - Ein imaginäres Portrait von Diane Arbus
Fell - Eine Liebesgeschichte
Fur
Fur: Um Retrato Imaginário de Diane Arbus
Kožich: Imaginární portrét Diane Arbusové
Retrato de una obsesión
梦幻皮草
皮囊
皮相猎影

Genres:
Drama | History

Production Companies:
Iron Film
Pressman Film
River Road Entertainment

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  IE: 15  US: R 

Runtime: 122

A love story.

Overview from TheMovieDB

In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane's eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.

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Performers

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Production

Art Department Coordinator:
J.B. Popplewell
Gary Cergol

Art Direction:
Nick Ralbovsky

Assistant Costume Designer:
Susan Carrano

Casting:
Ellen Parks

Casting Associate:
Amelia Rasche McCarthy

Construction Coordinator:
Richard Hebrank
Austin Lovell

Costume Design:
Mark Bridges

Director:
Steven Shainberg

Director of Photography:
Bill Pope

Editor:
Keiko Deguchi
Kristina Boden

Hair Designer:
Kerry Warn

Hairstylist:
Wayne Herndon
Robert McCann

Key Hair Stylist:
Robert Fama

Makeup Artist:
Kyra Panchenko
James Sarzotti

Makeup Effects:
Todd Kleitsch
Kate Biscoe

Music:
Carter Burwell

Original Music Composer:
Carter Burwell

Producer:
Laura Bickford
Andrew Fierberg
Bonnie Timmermann

Production Design:
Amy Danger

Screenplay:
Erin Cressida Wilson

Script Supervisor:
Annie Welles

Set Decoration:
Carrie Stewart

Special Effects Coordinator:
J.C. Brotherhood

Stunt Double:
Shawnna Thibodeau

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.