A work in constant progress (and occasional regress).
Featuring:
Robin Tunney, Tim Blake Nelson, Brad Hunt
Written by:
Finn Taylor
Directed by:
Finn Taylor
Release Date:
January 17, 2002
Original Title:
Cherish
Genres:
Comedy | Drama | Mystery | Thriller
Production Companies:
3 Ring Circus Films
Concrete Pictures
Outpost Studios
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 99
After a martini-induced rampage, a fantasy-prone young woman is placed under house arrest.
In San Francisco, Zoe is a shy outcast in her working place that adores the love songs she listens to the radio. Zoe goes to a bar with her coworkers and she spends the night talking to a colleague that also like mushy songs. She drinks with him and when she goes to her car to take her cellular to call a taxi, a stalker forces her to drive away. A police officer sees the intruder in her car and asks her to stop the car. However, the guy forces Zoe to run over the policeman that is hit and dies. Zoe has a car accident and the aggressor escapes. Neither the police nor her defense lawyer believes on her words and Zoe is arrested for murdering the policeman. She is confined at home with an ankle bracelet under the surveillance of Daly, a lonely man that falls in love with Zoe. She tries to find a way to leave the spot to chase the criminal and prove her innocence.
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Internet Movie Database | 6.6/10 |
---|---|
Rotten Tomatoes | 51% |
Metacritic | 51/100 |
Awards Won: | 2 nominations |
ADR Editor:
Christopher Forrest
ADR Engineer:
Dave Nelson
Additional Photography:
Nancy Ellen Jones
Art Direction:
Guy Harrington
Assistant Art Director:
Joe H. Bourguignon
Assistant Editor:
Scott Griffin
Assistant Set Decoration:
Denise Damer
Best Boy Electric:
Todd Stoneman
Best Boy Grip:
Isaac Camner
Boom Operator:
Eric Limcaoco
Reinhardt Beetz
Francis Choung
Casting:
Joseph Middleton
Chief Lighting Technician:
Chris Lindsay
Co-Producer:
Joseph Middleton
Laurie A. Miller
Color Timer:
Saul Escobedo
Costume Design:
Amy Brownson
Costumer:
Nelly Flores
Dialogue Editor:
Peter Steinbach
Director:
Finn Taylor
Director of Photography:
Barry Stone
Dolly Grip:
Isaac Camner
Driver:
Adam M. Dunne-De'Coligny
Editor:
Rick LeCompte
Electrician:
Christopher Cook-Venot
Deron Tse
Executive Producer:
John Sideropoulos
Steven Siebert
Jeff Boortz
Extras Casting:
Violet Banks
First Assistant Camera:
Svetlana Cvetko
Thomas Spingola
Keith B. Davis
Keith Robinson
First Assistant Director:
Curran G. Engel
Foley Artist:
Dian Langlois
Foley Recording Engineer:
Dave Nelson
Hairstylist:
Divi Crockett
Key Grip:
Kerry Sweeney
Arthur Aravena
Line Producer:
Debbie Brubaker
Location Manager:
Nancy Ellen Jones
Makeup Artist:
Divi Crockett
Music Editor:
Dave Nelson
Jeremiah Moore
Rick LeCompte
Music Supervisor:
Charles Raggio
Negative Cutter:
Angela Chou
Wood Lam
Original Music Composer:
Mark De Gli Antoni
Producer:
Johnny Wow
Mark Burton
Production Accountant:
Joyce Quan
Production Coordinator:
Amy Miller
Arthene Hammerman
Production Design:
Don Day
Production Sound Mixer:
Bob Gitzen
Property Master:
Patrick Ludden
Script Supervisor:
Suzanne Nece
Denise Karey
Andrea Devaux
Second Assistant Director:
Sean Vawter
Second Second Assistant Director:
Peter Burgess Smith
Set Decoration:
Lisa Clark
Set Dresser:
Katherine Covell
Set Medic:
Bundy Chanock
Sound Designer:
Dave Nelson
Sound Effects Editor:
Jeremiah Moore
Dale Strumpell
Sound Re-Recording Mixer:
Dave Nelson
Dale Strumpell
Still Photographer:
David Moir
Amos Soffian
Katherine Copenhaver
Cassidy Harrison
Stunt Coordinator:
Mickey Breitenstein
Stunt Double:
Erin Elliott
Stunts:
Erin Elliott
Scott Breitenstein
Supervising Sound Editor:
Dave Nelson
Transportation Captain:
D.B. Wilson
Transportation Coordinator:
Bundy Chanock
Unit Production Manager:
Mak Knighton
Wardrobe Supervisor:
Anne Marie Hamill
Writer:
Finn Taylor
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.