A work in constant progress (and occasional regress).
Release Date:
February 9, 2008
Original Title:
チーム・バチスタの栄光
Alternate Titles:
Chîmu bachisuta no eikô
Team Batista no Eikō
The Glory of Team Batista
Genres:
Comedy | Drama | Mystery
Production Companies:
TBS
Production Countries:
Japan
Ratings / Certifications:
JP: G
Runtime: 120
Toho university hospital has established an outstanding coronary surgery team under the leadership of a up and coming, star, U.S. trained surgeon that specializes in the highly risky "Batista" procedure to shrink the size of enlarged hearts. Normally this procedure has only a 60% success rate, but "Team Batista" has achieved a run of 26 straight successes....when suddenly 3 patients in a row die on the operating table. Very disturbed, the lead surgeon requests an independent investigation. The hospital turns to Dr. Taguchi who is a specialist in psychosomatic disorders who is shocked to at the assignment because she knows nothing in particular about surgery. Assured, however, that this very lack of insider specialized knowledge is in fact the "objectivity" required, she diligently begins to investigate in her own polite, but persistent manner.
Cinematography:
Yasushi Sasakibara
Director:
Yoshihiro Nakamura
Music:
Naoki Sato
Producer:
Kanjirô Sakura
Akihiro Yamauchi
Screenplay:
Mitsuharu Makita
Hiroshi Saito
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.