A work in constant progress (and occasional regress).
Release Date:
September 28, 1997
Original Title:
The Assignment
Alternate Titles:
Assignment – Der Auftrag
Jackal
Le mandat
豺狼陷阱
Genres:
Action | Crime | Thriller
Production Companies:
Allegro Films
Gouvernement du Québec
Program de Credits of Impuc
Satch-Mo
Super Écran
The Movie Network
Triumph Films
Production Countries:
Canada
Ratings / Certifications:
DE: 16 GB: 18 US: R
Runtime: 119
Jack Shaw has experienced the terror first-hand. He's a top CIA agent who's tracked international killer-for-hire Carlos "The Jackal" Sanchez for over twenty years and barely survived Carlos' devastating bombing of a Parisian cafe. Now, he finally gets a break when he discovers Carlos' dead ringer: American naval officer and dedicated family man Annibal Ramirez.
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Additional Camera:
Georges Archambault
Bruno Philip
Art Direction:
James Fox
Assistant Camera:
John Pingry
Assistant Makeup Artist:
Melina Di Cristo
Joan Patricia Parris
Assistant Set Dresser:
Louis Dandonneau
Camera Operator:
Christian Duguay
Casting:
Karen Margiotta
Lucie Robitaille
Mary Margiotta
Continuity:
Lorette Leblanc
Costume Coordinator:
Cecile Braemer
Costume Design:
Ada Levin
Dialect Coach:
Diane Pitblado
Tim Monich
Dialogue Editor:
Eric Lambi
Digital Compositor:
André Ü Montambeault
Sébastien Moreau
Michel Frenette
Jacques Levesque
Olivier Ruel
Director:
Christian Duguay
Director of Photography:
David Franco
Christian Duguay
Editor:
Yves Langlois
Electrician:
Ofer Margolin
Executive Producer:
David Saunders
First Assistant Camera:
Mark Hoffman
First Assistant Director:
Robbie Ditchburn
David McLeod
Gaffer:
Nimi Getter
Hairstylist:
Ronald J. Rolfe
Key Dresser:
Guy Cloutier
Key Grip:
Itzik Ben-Aroya
Michel Périard
Mark Silver
Key Hair Stylist:
Benjamin Robin
Key Makeup Artist:
Nicole Lapierre
Music Editor:
Normand Corbeil
Michel Gauvin
Original Music Composer:
Normand Corbeil
Producer:
Franco Battista
Production Coordinator:
Jacqueline Marleau
Production Design:
Michael Joy
Production Manager:
Renaud Mathieu
Property Master:
Daniel Huysmans
Scenic Artist:
Tristan Tondino
Screenplay:
Sabi H. Shabtai
Dan Gordon
Script Supervisor:
Guylaine Chagnon
Second Assistant Camera:
François Daignault
Yehuda Sar-Israel
Danielle Turgeon
Sound Designer:
Raymond Legault
Sound Effects Editor:
Natalie Fleurant
Sound Re-Recording Mixer:
Tim Archer
Special Effects Coordinator:
Ryal Cosgrove
Special Effects Technician:
Gary Coates
Steadicam Operator:
Christian Duguay
Still Photographer:
Philippe Bossé
Stunts Coordinator:
Michael Scherer
Supervising Sound Editor:
Michel B. Bordeleau
Swing:
Eric Lafrance
Unit Publicist:
Bram Eisenthal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.