A work in constant progress (and occasional regress).
Release Date:
May 29, 1957
Original Title:
Love in the Afternoon
Alternate Titles:
Amor en la tarde
Amor na Tarde
Ariane
Miłość po południu
昼下がりの情事
하오의 연정
Genres:
Comedy | Romance
Production Companies:
Allied Artists Pictures
Billy Wilder Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 FR: U US: NR
Runtime: 130
Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.
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Art Direction:
Alexandre Trauner
Assistant Art Director:
Auguste Capelier
Assistant Director:
Paul Feyder
Ray Taylor Jr.
Associate Producer:
William Schorr
Doane Harrison
Lee Katz
Camera Operator:
Harry L. Underwood
Costume Design:
Jay A. Morley Jr.
Hubert de Givenchy
Director:
Billy Wilder
Director of Photography:
William C. Mellor
Editor:
Léonide Azar
Chester W. Schaeffer
First Assistant Director:
Paul Feyder
Location Manager:
Christian Ferry
Makeup Artist:
John G. Holden
Music Editor:
Robert Tracy
Novel:
Claude Anet
Orchestrator:
Albert Sendrey
Producer:
Billy Wilder
Production Design:
Alexandre Trauner
Production Manager:
Edward Dodds
Screenplay:
Billy Wilder
I. A. L. Diamond
Script Supervisor:
Lucie Lichtig
Winifred Gibson
Second Assistant Director:
Alain Boudet
Second Unit Director:
Noël Howard
Set Decoration:
Oliver Emert
Set Dresser:
Maurice Barnathan
Sound Editor:
Del Harris
Sound Recordist:
Joseph de Bretagne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.