White as Milk, Red as Blood (2013) [N/A]

Release Date:
April 2, 2013

Original Title:
Bianca come il latte, rossa come il sangue

Alternate Titles:
Biała jak mleko, czerwona jak krew
Blanca Como La Nieve Roja Como La Sangre
Tejfehér és vérvörös
Vit som mjölk, röd som blod
Weiß wie Milch, rot wie Blut
Белая как молоко, красная как кровь
Бяла като мляко, червена като кръв
空虚与热情

Genres:
Comedy | Drama

Production Companies:
Ente Nazionale Energia Elettrica (ENEL)
Film Commission Torino Piemonte
Lux Vide
RAI Cinema
UniCredit Group

Production Countries:
Italy

Ratings / Certifications:
IT: 6+|T  RO: 15 

Runtime: 102

Like all sixteen-year-olds, Leo prefers the company of friends, motorbike rides and music to school. None of the teachers seem to be able to arouse his interest until the arrival in his class of a young history and philosophy substitute who, with his modern methods, helps him see the world with different eyes. In love with Beatrice, the ethereal girl of his dreams, Leo divides the world by colours. Beatrice is the red of love but he is forced to confront his own beliefs and fears when he discovers that the girl is suffering from leukemia, a disease that he links to white, a symbol of emptiness and loss.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Camera:
Martino Pellion Di Persano

Assistant Costume Designer:
Camilla Giuliani
Fabio Angelotti

Assistant Editor:
Nicola Bonifati
Paolo Polidori

Boom Operator:
Sonia Portoghese

Camera Operator:
Emanuele Chiari
Stefano Salemme

Casting:
Barbara Giordani
Jessica Cavalieri

Casting Assistant:
Flavia Toti Lombardozzi
Giacomo Gabrielli

Cinematography:
Fabrizio Lucci

Compositor:
Fabio Luongo

Costume Design:
Gemma Mascagni
Monica Celeste

Delegated Producer:
Valentina Pozzoli

Dialogue Editor:
Marco Giacomelli

Digital Compositor:
Massimiliano Battista
Francesco Antonio Maggi

Digital Imaging Technician:
Fabio Ferrantini

Digital Intermediate Colorist:
Daniele Cipriani

Director:
Giacomo Campiotti

Director of Photography:
Fabrizio Lucci

Editor:
Alessio Doglione

Executive Producer:
Daniele Passani
Piergiuseppe Serra

First Assistant Director:
Sergio Ercolessi

Gaffer:
Stefano Proietti

Grip:
Stefano Fois
Angelo Pace

Hair Designer:
Francesco Pegoretti

Hairstylist:
Peter Nicastro

Head of Production:
Giancarlo Morieri

Idea:
Fabio Bonifacci
Alessandro D'Avenia

Makeup Designer:
Laura Borselli

Music:
Andrea Guerra

Music Producer:
Giannandrea Mazza

Novel:
Alessandro D'Avenia

Orchestrator:
Angelo Giovagnoli
Luca Salvadori

Payroll Accountant:
Giorgio Di Lillo

Post Production Assistant:
Ferdinando Russo

Post Production Coordinator:
Elena Griguol

Post Production Supervisor:
Rosario Ranieri

Producer:
Luca Bernabei
Matilde Bernabei

Production Accountant:
Irene Tartaglia

Production Coordinator:
Natalia Barbosa

Production Design:
Paola Bizzarri

Production Manager:
Piergiuseppe Serra

Property Master:
Claudio Stefani

Recording Supervision:
Andrea Lancia

Score Engineer:
Goffredo Gibellini

Screenplay:
Fabio Bonifacci
Alessandro D'Avenia

Script:
Armando Fumagalli

Second Assistant Camera:
Sandro De Frino

Second Assistant Director:
Valentina de Amicis

Sound Effects Editor:
Marco Giacomelli

Sound Recordist:
Mirko Guerra

Special Effects Supervisor:
Fabio Traversari

Steadicam Operator:
Stefano Salemme

Still Photographer:
Loris Zambelli

Story:
Alessandro D'Avenia
Fabio Bonifacci

Stunt Coordinator:
Stefano Maria Mioni

Third Assistant Director:
Paolo Bartoli

Trainee Production Coordinator:
Marco Miscione

Unit Manager:
Nicola Bartolini Carrassi

Visual Effects:
Massimo Ciaraglia
Valerio Di Napoli

Visual Effects Coordinator:
Federica Nisi

Visual Effects Producer:
Paola Trisoglio

Visual Effects Supervisor:
Stefano Marinoni
Fabrizio Storaro

Writer:
Fabio Bonifacci
Alessandro D'Avenia

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.