A work in constant progress (and occasional regress).
Release Date:
April 2, 2013
Original Title:
Bianca come il latte, rossa come il sangue
Alternate Titles:
Biała jak mleko, czerwona jak krew
Blanca Como La Nieve Roja Como La Sangre
Tejfehér és vérvörös
Vit som mjölk, röd som blod
Weiß wie Milch, rot wie Blut
Белая как молоко, красная как кровь
Бяла като мляко, червена като кръв
空虚与热情
Genres:
Comedy | Drama
Production Companies:
Ente Nazionale Energia Elettrica (ENEL)
Film Commission Torino Piemonte
Lux Vide
RAI Cinema
UniCredit Group
Production Countries:
Italy
Ratings / Certifications:
IT: 6+|T RO: 15
Runtime: 102
Like all sixteen-year-olds, Leo prefers the company of friends, motorbike rides and music to school. None of the teachers seem to be able to arouse his interest until the arrival in his class of a young history and philosophy substitute who, with his modern methods, helps him see the world with different eyes. In love with Beatrice, the ethereal girl of his dreams, Leo divides the world by colours. Beatrice is the red of love but he is forced to confront his own beliefs and fears when he discovers that the girl is suffering from leukemia, a disease that he links to white, a symbol of emptiness and loss.
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Assistant Camera:
Martino Pellion Di Persano
Assistant Costume Designer:
Camilla Giuliani
Fabio Angelotti
Assistant Editor:
Nicola Bonifati
Paolo Polidori
Boom Operator:
Sonia Portoghese
Camera Operator:
Emanuele Chiari
Stefano Salemme
Casting:
Barbara Giordani
Jessica Cavalieri
Casting Assistant:
Flavia Toti Lombardozzi
Giacomo Gabrielli
Cinematography:
Fabrizio Lucci
Compositor:
Fabio Luongo
Costume Design:
Gemma Mascagni
Monica Celeste
Delegated Producer:
Valentina Pozzoli
Dialogue Editor:
Marco Giacomelli
Digital Compositor:
Massimiliano Battista
Francesco Antonio Maggi
Digital Imaging Technician:
Fabio Ferrantini
Digital Intermediate Colorist:
Daniele Cipriani
Director:
Giacomo Campiotti
Director of Photography:
Fabrizio Lucci
Editor:
Alessio Doglione
Executive Producer:
Daniele Passani
Piergiuseppe Serra
First Assistant Director:
Sergio Ercolessi
Gaffer:
Stefano Proietti
Hair Designer:
Francesco Pegoretti
Hairstylist:
Peter Nicastro
Head of Production:
Giancarlo Morieri
Idea:
Fabio Bonifacci
Alessandro D'Avenia
Makeup Designer:
Laura Borselli
Music:
Andrea Guerra
Music Producer:
Giannandrea Mazza
Novel:
Alessandro D'Avenia
Orchestrator:
Angelo Giovagnoli
Luca Salvadori
Payroll Accountant:
Giorgio Di Lillo
Post Production Assistant:
Ferdinando Russo
Post Production Coordinator:
Elena Griguol
Post Production Supervisor:
Rosario Ranieri
Producer:
Luca Bernabei
Matilde Bernabei
Production Accountant:
Irene Tartaglia
Production Coordinator:
Natalia Barbosa
Production Design:
Paola Bizzarri
Production Manager:
Piergiuseppe Serra
Property Master:
Claudio Stefani
Recording Supervision:
Andrea Lancia
Score Engineer:
Goffredo Gibellini
Screenplay:
Fabio Bonifacci
Alessandro D'Avenia
Script:
Armando Fumagalli
Second Assistant Camera:
Sandro De Frino
Second Assistant Director:
Valentina de Amicis
Sound Effects Editor:
Marco Giacomelli
Sound Recordist:
Mirko Guerra
Special Effects Supervisor:
Fabio Traversari
Steadicam Operator:
Stefano Salemme
Still Photographer:
Loris Zambelli
Story:
Alessandro D'Avenia
Fabio Bonifacci
Stunt Coordinator:
Stefano Maria Mioni
Third Assistant Director:
Paolo Bartoli
Trainee Production Coordinator:
Marco Miscione
Unit Manager:
Nicola Bartolini Carrassi
Visual Effects:
Massimo Ciaraglia
Valerio Di Napoli
Visual Effects Coordinator:
Federica Nisi
Visual Effects Producer:
Paola Trisoglio
Visual Effects Supervisor:
Stefano Marinoni
Fabrizio Storaro
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.