A work in constant progress (and occasional regress).
Featuring:
Cristina Raines, Ava Gardner, Chris Sarandon
Written by:
Jeffrey Konvitz
Michael Winner
Directed by:
Michael Winner
Release Date:
January 7, 1977
Original Title:
The Sentinel
Alternate Titles:
A Sentinela
Centinela de los malditos
La centinela
Genres:
Fantasy | Horror | Mystery
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 FR: 16 GB: 15 US: R
Runtime: 92
As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building that houses a number of bizarre, eccentric tenants. After experiencing a string of disturbing occurrences, she attempts to uncover the building's sinister secret.
A fashion model moves into a house inhabited (on the top floor) by a blind priest. She begins having strange physical problems, has trouble sleeping at night, and has some nasty flashbacks of her attempted suicide. She complains to the real estate agent of the noise caused by her strange neighbors, but finds out that the house is only occupied by the priest and herself, and ultimately discovers that she has been put in the house for a reason.
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Internet Movie Database | 6.3/10 |
---|---|
Rotten Tomatoes | 43% |
Metacritic | 19/100 |
Awards Won: | 4 nominations |
Assistant Director:
Charles Okun
Casting:
Cis Corman
Costume Design:
Peggy Farrell
Director:
Michael Winner
Director of Photography:
Richard C. Kratina
Editor:
Terry Rawlings
Bernard Gribble
Makeup Artist:
Dick Smith
Novel:
Jeffrey Konvitz
Original Music Composer:
Gil Mellé
Producer:
Jeffrey Konvitz
Michael Winner
Production Design:
Philip Rosenberg
Screenplay:
Jeffrey Konvitz
Set Decoration:
Edward Stewart
Stunts:
Diane Peterson
Writer:
Michael Winner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.