A work in constant progress (and occasional regress).
Release Date:
July 13, 2006
Original Title:
You, Me and Dupree
Alternate Titles:
Du, Jag Och Dupree
Du, jeg og Dupree
Eu, Tu e o Emplastro
Stous dio tritos de horei
Stous dyo tritos de horei
Stous dyo tritos de xorei
Svakog gosta tri dana dosta
Tres Son Multitud
Tres son multitud
Tu, es un Duprī
Сваког госта три дана доста
Genres:
Comedy | Romance
Production Companies:
Kaplan/Perrone Entertainment
MMCB Film Produktion 2004
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 FR: U GB: 12A HU: 12 IE: 12A NL: 12 NO: 12 PL: 16 PT: M/12 RO: 12 US: PG-13
Runtime: 108
After standing in as best man for his longtime friend Carl Petersen, Randy Dupree loses his job, becomes a barfly and attaches himself to the newlywed couple almost permanently -- as their houseguest. But the longer Dupree camps out on their couch, the closer he gets to Carl's bride, Molly, leaving the frustrated groom wondering when his pal will be moving out.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
David E. Diano
3D Artist:
Andrew Tucker
ADR Editor:
Andrea Horta
ADR Mixer:
Jeff Gomillion
ADR Recordist:
Philip Rogers
ADR Voice Casting:
Caitlin McKenna
Additional Camera:
Brian T. Pitts
Additional Editor:
Sean Thompson
Aerial Coordinator:
Cliff Fleming
Animation Supervisor:
Fumi Mashimo
Art Department Coordinator:
Palma Bellardoni
Art Department Production Assistant:
Alexandra Ward
Art Direction:
Paul Sonski
Assistant Art Director:
Patricio M. Farrell
Assistant Chief Lighting Technician:
Steve Reinhardt
Assistant Costume Designer:
Elaine Perlmann
Assistant Production Coordinator:
Carrie Oyer
Assistant Property Master:
Carolyn Lassek
Base Camp Operator:
James A. Lundin
Best Boy Electric:
Michelle LeDoux
Best Boy Grip:
Landon Ruddel
Boom Operator:
Carl Fischer
CG Artist:
Chris Ryan
Cableman:
Michael Rayle
Camera Loader:
Sal Alvarez
Camera Operator:
P. Scott Sakamoto
Casting:
Deborah Aquila
Tricia Wood
Casting Assistant:
Erin Toner
Casting Associate:
Jennifer L. Smith
Chief Lighting Technician:
Jeff Murrell
Colorist:
Mark Sachen
Conductor:
Bruce Babcock
Construction Coordinator:
Bruce DiValerio
Construction Foreman:
David Christopher Campbell
Costume Design:
Karen Patch
Costume Supervisor:
Charlene Amateau
Costumer:
Hilary Niederer
Craft Service:
Dayne Ahuna
Dialogue Editor:
Benjamin Beardwood
Digital Color Timer:
Michael Eaves
Digital Intermediate:
Ryan Helsley
Director:
Anthony Russo
Joe Russo
Director of Photography:
Charles Minsky
Dolly Grip:
Eric Budlong
Driver:
Marco Baccicalupi
Editor:
Peter B. Ellis
Debra Neil-Fisher
Electrician:
Danny Ault
Executive Producer:
Michael Fottrell
Aaron Kaplan
Sean Perrone
Extras Casting:
Tammy L. Smith
First Assistant "A" Camera:
Tommy Klines
First Assistant "B" Camera:
Louie DeMarco
First Assistant Accountant:
Kirby Adams
First Assistant Director:
Bob Roe
First Assistant Editor:
Sam Seig
First Assistant Sound Editor:
Roy Seeger
Foley Artist:
Dawn Fintor
Foley Editor:
Thom Brennan
Foley Recordist:
David Betancourt
Foley Supervisor:
Bob Beher
Graphic Designer:
Jason Sweers
Greensman:
Bob Skemp
Grip:
Mario Cisneros
Hair Department Head:
Medusah
Hairstylist:
Paula Hong
Key Costumer:
Amy Jo Hoppenfeld
Key Grip:
Michael C. Price
Key Hair Stylist:
Vickie Mynes
Key Makeup Artist:
Denise Dellavalle
Key Set Production Assistant:
Michele LaBrucherie
Leadman:
Greg Sanger
Lighting Technician:
Ronald R. Koch Jr.
Location Manager:
Curtis Collins
Location Scout:
Fermin Davalos
Makeup Department Head:
Kimberly Greene
Marine Coordinator:
Victor Lozano
Music Editor:
Andrew Silver
Music Programmer:
Stephen Coleman
Music Supervisor:
Randall Poster
Musician:
George Doering
Negative Cutter:
Mary Beth Smith
On Set Dresser:
Josh Ian Elliott
Orchestrator:
Tony Blondal
Original Music Composer:
Theodore Shapiro
Payroll Accountant:
Amy Denning Winfrey
Post Production Accountant:
Carlo Pratto
Post Production Supervisor:
Jason Leib
Producer:
Scott Stuber
Owen Wilson
Mary Parent
Production Accountant:
Donna Glasser-Hancock
Production Assistant:
Adam Courier
Production Coordinator:
Alyssa Evans
Production Design:
Barry Robison
Production Illustrator:
Rodolfo Damaggio
Production Supervisor:
Catherine S. McComb
Property Master:
Tommy Tomlinson
Propmaker:
Steve Burnes
Publicist:
Patti Hawn
Rigging Gaffer:
James Keys
Rigging Grip:
Jose F. Barrios
Scoring Mixer:
Shawn Murphy
Screenplay:
Michael LeSieur
Script Coordinator:
Jennifer Carno
Script Supervisor:
Liliana M. Molina
Seamstress:
Hasmig Karaciosian
Second Assistant "A" Camera:
Dale White
Second Assistant "B" Camera:
Scott Whitbread
Second Assistant Accountant:
Mark Kurzweil
Second Assistant Camera:
Marcos O. Lopez
Second Second Assistant Director:
Bernie Bonner Axelrod
Second Unit Director:
Adam Davidson
Set Costumer:
Lisa D. Quercioli
Set Decorating Coordinator:
Catherine Leyba
Set Decoration:
Barbara Munch
Set Decoration Buyer:
Libby Morris
Set Designer:
Josh Lusby
Dean Wolcott
Set Dresser:
Paul Detlefson
Set Medic:
Anthony Woods
Set Painter:
Joey Genitempo
Set Production Assistant:
Valerie Johnson
Sound Editor:
Andrew Spencer Dawson
Sound Effects Editor:
Bruce Tanis
Sound Mixer:
Petur Hliddal
Sound Recordist:
Jack Snyder
Special Effects Coordinator:
Ron Bolanowski
Stand In:
Robert Castro
Standby Painter:
Chris Samp
Still Photographer:
Melissa Moseley
Storyboard Artist:
Lance Ashton Slaton
Studio Teacher:
Maxine Abarbara
Stunt Coordinator:
Jimmy N. Roberts
Stunts:
Dick Ziker
Helena Barrett
Erik Rondell
Tanoai Reed
Supervising Art Director:
Kevin Constant
Supervising Sound Editor:
Steven D. Williams
Tailor:
Dominic Gherardi
Textile Artist:
Douglas J. Stewart
Thanks:
Jim Dunbar
Transportation Captain:
Fred Teague
Transportation Co-Captain:
Ken Sale
Transportation Coordinator:
John A. Brubaker
Unit Production Manager:
Michael Fottrell
Utility Stunts:
Lesley Aletter
Video Assist Operator:
Jesse Olivares
Visual Effects Coordinator:
Collin Fowler
Visual Effects Producer:
Melissa Brockman
Visual Effects Supervisor:
Thad Beier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.