A work in constant progress (and occasional regress).
Release Date:
June 1, 1980
Original Title:
The Pirates of Penzance
Genres:
Adventure | Comedy | Music | TV Movie
Production Companies:
Broadway Theatre Archive
Kultur Video
New York Shakespeare Festival
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 123
This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.
Camera Operator:
Steve Zink
Dean Parisot
Jake Ostroff
Fran Kenny
Barry Rebo
Jim Scurti
Jay Millard
Choreographer:
Graciela Daniele
Conductor:
William Elliott
Costume Design:
Patricia McGourty
Director:
Joshua White
Editor:
Ken Gutstein
Hair Designer:
J. Roy Helland
Lighting Design:
Jennifer Tipton
Lighting Director:
Nick Hutak
Makeup Designer:
J. Roy Helland
Music Coordinator:
Ira Kushin
Naimy Hackett
Rebecca Mercer-White
Music Director:
William Elliott
Musical:
W.S. Gilbert
Arthur Sullivan
Orchestrator:
William Elliott
Producer:
Joseph Papp
Production Assistant:
Gary De Lena
Dana Calderwood
Production Manager:
Mark Molesworth
Production Supervisor:
Jason Steven Cohen
Set Designer:
Bob Shaw
Wilford Leach
Jack Chandler
Sound Designer:
Don Ketteler
Sound Re-Recording Mixer:
Vincent Gizzi
Sound Recordist:
Fran Daniel
David Hewitt
Frank Haber
Stage Director:
Wilford Leach
Technical Supervisor:
Dennis Michaels
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.