A work in constant progress (and occasional regress).
Release Date:
October 17, 1997
Original Title:
The Devil's Advocate
Alternate Titles:
Devil's Advocate
El abogado del diablo
Hudicev advokat
Kurjuse kaitsja
L'avocat du Diable
The Devil's Advocate
Đavolji odvjetnik
Şeytan'ın Vəkili
Genres:
Drama | Horror | Mystery | Thriller
Production Companies:
Kopelson Entertainment
Monarchy Enterprises B.V.
New Regency Pictures
Regency Enterprises
Taurus Film
Warner Bros. Pictures
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: R 18+ BR: 16 CA: 14A CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 18 GR: 16 HU: 16 IE: 18 IT: VM14 KR: 18 MX: C NL: 16 NO: 15 PT: M/16 RO: 15 SE: 15 SK: 15 US: R|NR
Runtime: 144
Aspiring Florida defense lawyer Kevin Lomax accepts a job at a New York law firm. With the stakes getting higher every case, Kevin quickly learns that his boss has something far more evil planned.
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ADR Editor:
John K. Adams
ADR Mixer:
Thomas J. O'Connell
ADR Supervisor:
Chris Jargo
Additional Casting:
Kate Dowd
Art Department Coordinator:
Julia G. Hickman
Art Direction:
Dennis Bradford
Assistant Accountant:
Amy Comstock
Assistant Art Director:
Gary Kosko
Assistant Camera:
Mark Hryma
Assistant Chief Lighting Technician:
Doug Dalisera
Assistant Editor:
Brett Carroll
Assistant Location Manager:
Deborah Parker
Assistant Production Coordinator:
Nicole Wilder
Assistant Sound Editor:
Bob Bowman
Best Boy Electric:
Brian Fitzsimons
Boom Operator:
Kim Maitland
Camera Production Assistant:
William Keys
Casting:
Nancy Klopper
Mary Colquhoun
Casting Assistant:
Gayle Keller
Casting Associate:
Elizabeth Marx
Charge Scenic Artist:
Bruno Robotti
Chief Technician / Stop-Motion Expert:
Russell Engels
Co-Producer:
Stephen Joel Brown
Color Timer:
Dale E. Grahn
Conductor:
Artie Kane
Construction Coordinator:
Ken Nelson
Costume Design:
Judianna Makovsky
Costume Supervisor:
Kate Edwards
Costumer:
Marcia Patten
Craft Service:
Frank McKenna
Dialect Coach:
Brooks Baldwin
Dialogue Coach:
Julie Adams
Dialogue Editor:
Constance A. Kazmer
Digital Compositors:
Marie-Josee Auclair
Digital Effects Producer:
Ariana Lingenfelser
Digital Effects Supervisor:
Carlos Arguello
Director:
Taylor Hackford
Director of Photography:
Andrzej Bartkowiak
Dolly Grip:
Sam Taybi
Driver:
Robert Jepson
Editor:
Mark Warner
Electrician:
James J. Ferris
Executive In Charge Of Production:
Christopher DeFaria
Executive Producer:
Michael Tadross
Taylor Hackford
Barry Bernardi
Erwin Stoff
Steve White
Extras Casting:
Grant Wilfley
First Assistant Camera:
Vern Nobles
First Assistant Director:
Burtt Harris
First Assistant Editor:
Steven Ramirez
Foley Artist:
Kevin Bartnof
Foley Mixer:
Eric Gotthelf
Foley Supervisor:
Craig S. Jaeger
Gaffer:
Michael Laws
Grip:
Rodney Bauer
Hair Designer:
Aldo Signoretti
Hair Supervisor:
Denise Leibee
Key Grip:
Dennis Gamiello
Key Hair Stylist:
Angel De Angelis
Leadman:
Dave Weinman
Lighting Technician:
Jay Laws
Location Assistant:
Matt Widman
Location Manager:
Jan Foster
Makeup Artist:
LuAnn Claps
Makeup Department Head:
Mark Shostrom
Makeup Effects:
Roland Blancaflor
Makeup Supervisor:
Luigi Rocchetti
Music Editor:
David Olson
Negative Cutter:
Mo Henry
Novel:
Andrew Neiderman
Orchestrator:
Jeff Atmajian
Original Music Composer:
James Newton Howard
Painter:
Rick Broderman
Post Production Supervisor:
Erica L. Hiller
Producer:
Arnold Kopelson
Anne Kopelson
Arnon Milchan
Producer's Assistant:
Maria Norman
Production Accountant:
Lynda Van Damm
Production Assistant:
Sheryl Benko
Production Coordinator:
Betty Chin
Production Design:
Bruno Rubeo
Production Executive:
Matthew Gross
Production Secretary:
Mick Kelly
Prosthetic Makeup Artist:
Neal Martz
Researcher:
Barbara Michels
Rigging Gaffer:
Ken Connors
Rigging Grip:
Michael Finnerty
Scoring Mixer:
Shawn Murphy
Screenplay:
Tony Gilroy
Jonathan Lemkin
Second Assistant Camera:
Joe Collins
Second Assistant Director:
Carole Dubuc
Second Second Assistant Director:
Shawn Griffith
Second Unit Director:
Gary Davis
Senior Visual Effects Supervisor:
John Scheele
Set Decoration:
Roberta J. Holinko
Set Medic:
Deborah Sullivan
Sound Designer:
Per Hallberg
Sound Effects Editor:
Christopher Assells
Sound Mixer:
Tod A. Maitland
Sound Recordist:
Michael Scott
Special Effects Coordinator:
Connie Brink
Steadicam Operator:
Gregory Lundsgaard
Still Photographer:
Brian Hamill
Storyboard Artist:
Jim Magdaleno
Stunt Coordinator:
Gary Davis
Stunt Double:
Sandy Wasko
Thomas DeWier
Stunts:
Bill Anagnos
Supervising Music Editor:
Jim Weidman
Technical Advisor:
Rick Bernstein
Transportation Co-Captain:
Ralph Volpe
Unit Production Manager:
Michael Tadross
VFX Director of Photography:
Vincent E. Toto
Video Assist Operator:
Kevin McKenna
Visual Effects Compositor:
Fortunato Frattasio
Visual Effects Coordinator:
Carla Attanasio
Visual Effects Design Consultant:
Rob Bottin
Visual Effects Designer:
Richard Greenberg
Visual Effects Editor:
Chris DeAngelis
Christopher DeAngelis
Visual Effects Producer:
Aisling O'Brien
Visual Effects Supervisor:
Rob Hodgson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.