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Like Father, Like Son (2013) [G]

Release Date:
September 28, 2013

Original Title:
そして父になる

Alternate Titles:
Father & Son
Father And Son
Isänsä poika
Koks tevas, toks ir sunus
Like Father Like Son
Like Father, Like Son
Like Father,Like Son
Pais e Filhos
Sin fars son
Som far, så sønn
Soshite chichi ni naru
Vater und Sohn
Wie der Vater, so der Sohn
พ่อครับ..รักผมได้ไหม
如父如子
그렇게 아버지가 된다

Genres:
Drama

Production Companies:
AMUSE
BUN-BUKU
Fuji Television Network
GAGA Corporation

Production Countries:
Japan

Ratings / Certifications:
BR: L  DK: A  GR: Κ-12  IE: 15  KR: ALL  NL: AL  US: G 

Runtime: 120

At what point does a father truly become a father?

Overview from TheMovieDB

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.

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Additional information:

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Performers

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Production

Art Direction:
Kazunari Hattori

Assistant Camera:
Shigeto Kunii
Hironori Yamasaki
Gen Ito

Assistant Director:
Atsushi Kaneshige

Assistant Editor:
Yusuke Yamada

Assistant Hairstylist:
Muranaka Sachie
Rieko Minami

Assistant Location Manager:
Noriaki Taga
Naoyuki Sakamoto
Kazushi Aoyama

Assistant Makeup Artist:
Rieko Minami
Muranaka Sachie

Assistant Set Decoration:
Shusaku Tsukamoto
Ayako Matsuo

Associate Producer:
Megumi Osawa

Casting:
Toshie Tabata

Casting Assistant:
Yoko Yamashita

Casting Coordinator:
Yoko Sugiyama

Color Timer:
Morio Takahashi

Colorist:
Kazuki Tanahashi

Compositor:
Tsutomu Suga

Costume Assistant:
Sayaka Takahashi

Costumer:
Misako Kajimoto
Kazuko Kurosawa

Dialect Coach:
Hisashi Numata

Digital Intermediate Assistant:
Hisashi Nemoto

Digital Intermediate Editor:
Naotaka Takahashi

Director:
Hirokazu Kore-eda

Director of Photography:
Mikiya Takimoto

Driver:
Tomoyuki Koyama
Motomi Hashimoto
Katsuaki Inoue
Hirokazu Tanaka
Hideyuki Hanya

Editor:
Hirokazu Kore-eda

Executive Producer:
Tatsuro Hatanaka
Chihiro Kameyama
Tatsumi Yoda
Chiaki Harada
Yasushi Ogawa
Satomi Odake

Foley Artist:
Akihiko Okase
Miyuki Horiuchi

Grip:
Yasuhisa Shiomi

Hairstylist:
Hiromi Momose
Narumi Furukawa

Key Grip:
Tsunenobu Tsukimura

Legal Services:
Hirofumi Sugahara

Lighting Technician:
Norikiyo Fujii

Line Producer:
Yasuyuki Niino

Location Manager:
Fumitsugu Abe

Makeup Artist:
Hiromi Momose
Narumi Furukawa

Music Director:
Keiko Shinozaki

Music Producer:
Shin Yasui

Musician:
Ikuko Nishikawa

Negative Cutter:
Megumi Hashiba

Original Music Composer:
Takashi Mori
Takeshi Matsubara
Junichi Matsumoto

Post-Production Manager:
Shigetoshi Nakamura

Producer:
Hijiri Taguchi
Kaoru Matsuzaki

Production Accountant:
Keiko Oyama
Yoshiko Araki

Production Design:
Keiko Mitsumatsu
Nobuya Mochinaga
Takeshi Kanabayashi
Ayu Hasuike
Shigeyuki Sasano
Daichi Kobayashi
Nonoko Matsui
Toshiharu Nakamae

Production Manager:
Yu Kumagai
Yasuharu Suido

Property Master:
Nohara Ichijo

Screenplay:
Hirokazu Kore-eda

Script Supervisor:
Miho Tomita

Second Assistant Director:
Kae Takeyari
Kaoru Endô

Set Decoration:
Akiko Matsuba

Sound:
Yutaka Tsurumaki

Sound Assistant:
Hirotoshi Oguro
Kazuhiko Tomita
Ken Iizuka

Sound Effects Editor:
Akihiko Okase

Still Photographer:
Teruyoshi Toyota
Yoshiaki Yamamoto
Mikiya Takimoto
Shinya Sato
Sayaka Watanabe

Telecine Colorist:
Wataru Shimogawara
Mayuna Naito

Title Designer:
Saori Sekiguchi
Teruo Tsuda

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.