A work in constant progress (and occasional regress).
Release Date:
January 11, 1992
Original Title:
Where the Day Takes You
Alternate Titles:
A Lei de Cada Dia
Break Out
I dannati di Hollywood
Minne tie vie
Strassenkinder
Genres:
Crime | Drama | Thriller
Production Companies:
CineTel Films
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 104
King is a young man, but he's already a veteran of life on the streets of Los Angeles. The de facto leader of a group of teenage runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg. When Heather, a beautiful girl from Chicago, starts hanging out with King and his crew, it changes the dynamic of the gang. However, it seems as though nothing will alter their dangerous lifestyle.
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ADR Mixer:
Alan Holly
Apprentice Sound Editor:
Lisa Cabral
Assistant Editor:
David Rennie
Terry Doering
Assistant Location Manager:
Stevie Nelson
Assistant Makeup Artist:
Keith Hall
Assistant Production Coordinator:
Bob Landau
Assistant Property Master:
Pete Larssen
Assistant Sound Editor:
Patrick Cabral
Terry Honore
Best Boy Electric:
Randy G. Singer
Best Boy Grip:
Rich Sutherland
Boom Operator:
Tim Drury
Tom Caton
Casting:
Mary Jo Slater
Casting Assistant:
Wendy Wassall-Engalla
David Sherry
Casting Associate:
Jan Glaser
Co-Executive Producer:
Donald C. McKeon
Co-Producer:
Philip McKeon
Catalaine Knell
Construction Coordinator:
Ron Moser
Costume Designer:
Michael Fitzpatrick
Director:
Marc Rocco
Director of Photography:
King Baggot
Dolly Grip:
Robert Dog Thomas
Editor:
Russell Livingstone
Electrician:
Al York
Ronald D. Chapman
Christopher T. Havener
Mark Oliver
Executive In Charge Of Production:
Linda A. Borgeson
Executive Producer:
Lisa M. Hansen
Marc Rocco
First Assistant Camera:
Louis Niemeyer
First Assistant Director:
Scott Javine
Foley Artist:
Patrick Cabral
Jeffrey Wilhoit
Foley Mixer:
Alan Holly
Gaffer:
Craig Greene
Grip:
Simon Scheeline
Nick W. Pastrano
Helicopter Camera:
Rexford L. Metz
Key Grip:
George Palmer
Key Hair Stylist:
Michael White
Key Makeup Artist:
Angela Nogaro
Leadman:
Scott E. Bruza
Line Producer:
Guy J. Louthan
Location Manager:
Sean R. Alquist
Music Editor:
Russell Livingstone
Music Supervisor:
Derek Alpert
Original Music Composer:
Mark Morgan
Post Production Coordinator:
Doug Dubick
Producer:
Paul Hertzberg
Production Coordinator:
Susan V. McConnell
Production Design:
Kirk M. Petruccelli
Production Manager:
Robert G. Magaudda
Property Master:
Tony Bonaventura
Script Supervisor:
Renée Rosenfeld
Second Assistant Camera:
Joseph King Baggot
Second Assistant Director:
Philip McKeon
Second Second Assistant Director:
Power
Second Unit Director of Photography:
Rexford L. Metz
Set Decoration:
Greg J. Grande
Set Dresser:
Kimberly Cossette
David C. Potter
P. Scott Bailey
Sound Editor:
Kelly Cabral
Philip Harberman
Mark Hollingsworth
Richard Raderman
Sound Mixer:
Ed White
William Fiege
Sound Re-Recording Mixer:
Patrick Cyccone Jr.
Robert Thirlwell
Sound Recordist:
Douglas Kearns
Thomas Steel
Dean St. John
Special Effects:
Kevin McCarthy
Special Effects Assistant:
Greg Bruno Stemple
John Wells
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Gino Mifsud
Stunt Coordinator:
Dan Bradley
Stunts:
John Ashker
Rick Barker
Dan Blom
Clay Boss
Bunny Blue Boyle
Dan Bradley
Debbie Evans
Randy Lamb
Brett A. Jones
Ray Lykins
Dermot Mulroney
Anthony G. Schmidt
Erik Stabenau
Supervising Sound Editor:
Barney Cabral
Tattoo Designer:
Michèle Burke
Technical Advisor:
Joey Dedio
Wardrobe Assistant:
Anna Spheeris
Carol Ewing
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.