A work in constant progress (and occasional regress).
Release Date:
August 13, 1999
Original Title:
Brokedown Palace
Alternate Titles:
Bangkok, solo andata
Зруйновані замки
Genres:
Drama | Mystery | Thriller
Production Companies:
20th Century Fox
Adam Fields Productions
Fox 2000 Pictures
Two Girls Productions
Production Countries:
United States of America
Ratings / Certifications:
CZ: U DE: 12 FR: U PT: M/12 US: PG-13
Runtime: 100
Best friends Alice and Darlene take a trip to Thailand after graduating high school. In Thailand, they meet a captivating Australian man, who calls himself Nick Parks. Darlene is particularly smitten with Nick and convinces Alice to take Nick up on his offer to treat the two of them to what amounts to a day trip to Hong Kong. In the airport, the girls are seized by the police and shocked to discover that one of their bags contains heroin.
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"B" Camera Operator:
Bob Gorelick
ADR Editor:
Donald Sylvester
ADR Mixer:
Charleen Richards-Steeves
Greg Steele
ADR Supervisor:
Jerelyn J. Harding
Additional Editing:
Glenn Farr
Art Department Coordinator:
Danilet Poblete
Art Direction:
Neil Lamont
Roy Lachica
Assistant Editor:
Jessica Landaw
Heather Hughes
Dan Zimmerman
Dean Zimmerman
Assistant Location Manager:
Joseph Santos
Assistant Sound Editor:
Meredith Gold
Blake R. Cornett
Steven Gerrior
Paul Apted
David Burk
Best Boy Grip:
Bill Summers
Boom Operator:
June Prinz
Casting:
Julie Selzer
Casting Associate:
Lauris Freeman
Color Timer:
Dale Caldwell
Construction Coordinator:
Tony Graysmark
Construction Foreman:
Paul J. Hayes
Costume Design:
April Ferry
Costume Supervisor:
Donna Berwick
Dialogue Editor:
Susan Dawes
Dave Kulczycki
Director:
Jonathan Kaplan
Director of Photography:
Newton Thomas Sigel
Dolly Grip:
William D. Wynn
Editor:
Curtiss Clayton
Don Zimmerman
Electrician:
Joey Dinn
Julian Baltonado
Executive Producer:
A. Kitman Ho
First Assistant "B" Camera:
Jimmy E. Jensen
First Assistant Camera:
Erik L. Brown
First Assistant Director:
Liz Ryan
First Assistant Editor:
Amy E. Duddleston
Gena Bleier
Scott Hill
Foley Editor:
Ted Caplan
Foley Mixer:
David Betancourt
Foley Recordist:
Carrie Cashman
Foley Supervisor:
Mark Pappas
Gaffer:
Anthony G. Nakonechnyj
Hairstylist:
Petra Schaumann
Key Costumer:
Eileen McCahill
Key Grip:
David L. Merrill
Key Hair Stylist:
Suzanne Stokes-Munton
Key Makeup Artist:
Felicity Bowring
Location Manager:
Pat Yuseco
Makeup & Hair:
Teresa Villaflor
Makeup Artist:
Erica Rosenast
Jane Galli
Makeup Department Head:
Felicity Bowring
Music Editor:
Tom Villano
Music Supervisor:
Amanda Scheer-Demme
Negative Cutter:
Gary Burritt
Orchestrator:
Alexander Janko
Original Music Composer:
David Newman
Producer:
Adam Fields
Lope V. Juban Jr.
Production Accountant:
Anne C. Ford
Production Coordinator:
Dawn Murphy Riley
Production Design:
James William Newport
Production Manager:
A. Kitman Ho
Production Supervisor:
Thomas Hayslip
Property Master:
Arthur Shippee
Rigging Gaffer:
Geoff Shotz
Screenplay:
David Arata
Screenstory:
David Arata
Adam Fields
Script Supervisor:
Lou Ann Quast
Second Assistant "B" Camera:
Bernardo Gabilo
Second Assistant Camera:
Daniel Delina
Second Assistant Director:
Phil Hardage
Set Decoration:
William Kemper Wright
Peter Walpole
Set Designer:
Peter Francis
Daniel Fernández
Roger Bowles
Sound Effects Editor:
Jay Wilkinson
Chuck Michael
Sound Mixer:
John Midgley
Sound Re-Recording Mixer:
Andy Nelson
James Bolt
Anna Behlmer
Sound Recordist:
Daniel Goss
Tim Gomillion
Special Effects Coordinator:
Lee Alan McConnell
Steadicam Operator:
Bob Gorelick
Still Photographer:
Frank Connor
Storyboard Artist:
Peg McClellan
Stunt Coordinator:
Kerrie Cullen
Tim A. Davison
Stunt Double:
Robin Lynn Bonaccorsi
Stunts:
Bobby Brown
George Cheung
Renato Morado
Anita Hart
Kendel McMurray
Supervising Music Editor:
Jeff Carson
Supervising Sound Editor:
John A. Larsen
Sandy Berman
Visual Effects Producer:
Sharon Holly
Visual Effects Supervisor:
Rich Thorne
Erik Henry
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.