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Metro (2013) [N/A]

Release Date:
February 21, 2013

Original Title:
Метро

Alternate Titles:
Metro
Mitro
Pânico no Metrô
Subwave
Метро
夺命地铁

Genres:
Action | Thriller

Production Companies:
Algous studio
CGF Films
Cinema Foundation of Russia
Mosfilm
Profit

Production Countries:
Russia

Ratings / Certifications:
DE: 16  RU: 16+ 

Runtime: 130

Overview from TheMovieDB

Terror strikes the underground train system in Moscow in the form of a flood from a collapsed tunnel. The film follows a diverse group of Moscow citizens who find themselves trapped in the city’s underground rail network, their train derailed and virtually crushed after an aging tunnel collapses. Amongst this band of survivors is softly spoken surgeon Andrey (Sergei Puskepalis), whose wife is having an affair with the conceited businessman Vlad (Anatoly Beliy). Fate brings these two men together on the same doomed train, but there is little time to resolve their differences, as the tunnel begins to quickly fill with water, forcing them to work together with the others and find a way back to the surface.

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Production

Assistant Director:
Vsevolod Sagatovskiy
Mariya Gangus

Co-Producer:
Anna Kagarlitskaya

Costume Design:
Elena Lukyanenko
Tatyana Galova

Director:
Anton Megerdichev

Director of Photography:
Sergey Astakhov
Sergei Shults

Editor:
Anton Megerdichev

Executive Producer:
Kseniya Sokolova

Line Producer:
Alexandr Kozlov

Makeup Artist:
Yuliya Denisova

Music:
Yuriy Poteenko

Producer:
Sergey Kozlov
Igor Tolstunov

Production Design:
Pavel Novikov

Screenplay:
Denis Kuryshev
Viktoriya Evseeva

Set Designer:
Inna Vasilyeva

Sound Director:
Rostislav Alimov

Sound Effects Editor:
Alexander Volodin

Stunt Coordinator:
Dmitriy Tarasenko

VFX Supervisor:
Pavel Semerdzhyan
Boris Lutsyuk

Writer:
Anton Megerdichev

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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