A work in constant progress (and occasional regress).
Release Date:
February 27, 2014
Original Title:
Bluebird
Genres:
Drama
Ratings / Certifications:
DK: 11
Runtime: 90
On a freezing January evening, school bus driver Lesley completes her route, but her final inspection abruptly ends when a bluebird comes into view. What happens next shakes her small Maine logging town, proving that even the slightest actions have enormous consequences.
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Additional Photography:
Sam Ellison
Art Direction:
Sara K. White
Associate Producer:
David Hinojosa
Best Boy Grip:
Adam Macbeth
Co-Producer:
Lizzie Nastro
Erika Wasserman
Costume Design:
David Tabbert
Director:
Lance Edmands
Director of Photography:
Jody Lee Lipes
Editor:
Lance Edmands
Dino Jonsäter
Executive Producer:
Julia Godzinskaya
Laura Heberton
Andrew Neel
Michael Sackler
Susan Shopmaker
Christine Vachon
Emily Wiedemann
First Assistant Director:
Tomas Deckaj
Key Grip:
Alexander Engel
Key Makeup Artist:
Liz Coakley
Line Producer:
Allison Rose Carter
Loader:
Sam Wootton
Makeup Department Head:
Amy L. Forsythe
Music Supervisor:
Annie Pearlman
Rasmus Thord
Original Music Composer:
Saunder Jurriaans
Danny Bensi
Producer:
Garrett P. Fennelly
Kyle Martin
Alexander Schepsman
Production Design:
Inbal Weinberg
Screenplay:
Lance Edmands
Script Coordinator:
Carol A. Compton
Script Supervisor:
Peter Ho-Sun Chan
Second Assistant Camera:
Greta Zozula
Second Assistant Director:
Anne Marie Dentici
Second Second Assistant Director:
Tim LaDue
Second Unit Director of Photography:
Joe Anderson
Still Photographer:
Freddy Meyer
Stunt Coordinator:
Jared Burke
Anthony Vincent
Stunt Double:
Stefanie Flores
Samantha MacIvor
Visual Effects:
Miranda Middlewood
Visual Effects Compositor:
Anteneh Adamu
Thor Andreassen
Visual Effects Supervisor:
Jason Patnode
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.