A work in constant progress (and occasional regress).
Release Date:
October 22, 1934
Original Title:
Great Expectations
Genres:
Drama
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 100
A young boy, Pip, encounters an escaped prisoner, Magwitch, and steals food for him. After the convict is captured, Pip meets the reclusive Miss Havisham and her niece, Estella, eventually becoming friends with the girl. Wealth comes to Pip via a mysterious benefactor and he goes off to London for an education. As adults, Pip and Estella become romantic, and Pip learns the identity of his patron.
Art Direction:
Albert S. D'Agostino
Assistant Art Director:
W. Berger
Assistant Camera:
Arthur Gerstle
Maury Gertsman
Assistant Director:
Phil Karlson
Harry Mancke
Assistant Editor:
Russell F. Schoengarth
Assistant Makeup Artist:
Otto Lederer
William Ely
Carpenter:
Lester Kahn
Fred Stoll
Barney Summers
Child Wrangler:
Mary West
Costume Design:
Vera West
Director:
Stuart Walker
Director of Photography:
George Robinson
Editor:
Edward Curtiss
Electrician:
Irving Smith
Executive Producer:
Carl Laemmle Jr.
Hairstylist:
Margaret Donovan
Makeup Artist:
Jack Pierce
Novel:
Charles Dickens
Orchestrator:
Clifford Vaughan
Original Music Composer:
Edward Ward
Presenter:
Carl Laemmle
Producer:
Stanley Bergerman
Production Secretary:
Billy Moritz
Props:
Solly Martino
Wally Kirkpatrick
Julius Rosenkrantz
Researcher:
Nan Grant
Screenplay:
Gladys Unger
Sound:
Jess Moulin
Sound Supervisor:
Gilbert Kurland
Special Effects:
John P. Fulton
Supervising Editor:
Maurice Pivar
Technical Advisor:
Hilda Grenier
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.