Home

I'll Be Home for Christmas (1998) [PG]

Release Date:
November 13, 1998

Original Title:
I'll Be Home for Christmas

Alternate Titles:
A casa per natale
Látástól mikulásig
Na Vianoce budem doma
Vuelve a casa por Navidad, si puedes...

Genres:
Comedy | Family

Production Companies:
Mandeville Films
Walt Disney Pictures

Production Countries:
Canada | United States of America

Ratings / Certifications:
AU: G  US: PG 

Runtime: 86

Somewhere between L.A. and N.Y. Jake found the meaning of Christmas.

Overview from TheMovieDB

Estranged from his father, college student Jake is lured home to New York for Christmas with the promise of receiving a classic Porsche as a gift. When the bullying football team dumps him in the desert in a Santa suit, Jake is left without identification or money to help him make the journey. Meanwhile, his girlfriend, Allie, does not know where he is, and accepts a cross-country ride from Jake's rival, Eddie.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Editor:
Barbara Issak

ADR Mixer:
Robert Deschaine

ADR Recordist:
Tami Treadwell

Additional Second Assistant Director:
Gary Blair Smith

Art Direction:
Sandy Cochrane

Assistant Art Director:
Allan Galajda

Assistant Costume Designer:
Linda Lee Langdon

Assistant Editor:
Jana Lynn Gold
Pablo Prietto

Assistant Production Coordinator:
James Fantin

Assistant Set Decoration:
Dale Ann Connery
Gordon Clapp

Best Boy Electric:
Jeff Trebenski

Best Boy Grip:
Bill Molnar

Boom Operator:
Charles O'Shea

Cableman:
Michael Hibberson

Camera Operator:
Neil Seale
Douglas Craik

Casting:
Karen Church
Roger Mussenden

Co-Producer:
Justis Greene

Construction Coordinator:
Jan Kobylka

Costume Design:
Maya Mani

Costume Set Supervisor:
Bren Moore

Costumer:
Abigail Benjamin
Diana Patterson
Barbara Clayden
Sylvie Bonniere

Dialogue Editor:
Benjamin Beardwood
Ralph Osborn

Director:
Arlene Sanford

Director of Photography:
Hiro Narita

Dolly Grip:
Robert L. O'Hara

Editor:
Anita Brandt-Burgoyne

Executive Producer:
Robin French

First Assistant Camera:
Timothy Robin Spencer
Trevor Holbrook

First Assistant Director:
Gregory Jacobs

First Assistant Editor:
Caroline Hardon
Don Thompson

First Assistant Sound Editor:
Paul O'Bryan

Foley Artist:
Nancy Parker
Alyson Dee Moore

Foley Editor:
David Melhase

Foley Mixer:
Brian Ruberg

Gaffer:
Don Saari

Hairstylist:
Donna Bis
Sherry Linder-Gygli

Key Grip:
Kevin Black

Location Manager:
Janice Frome

Makeup Artist:
Connie Parker
Sandy Cooper

Original Music Composer:
John Debney

Producer:
David Hoberman
Tracey Trench

Production Coordinator:
Christina Bulbrook

Production Design:
Cynthia Kay Charette

Production Sound Mixer:
Rob Young

Property Master:
Mark Francis

Screenplay:
Tom Nursall
Harris Goldberg

Script Supervisor:
Portia Tickell

Second Assistant Camera:
Kim Ritz
Stewart Whelan
Shinpei Otsuki

Second Assistant Director:
Pete Whyte

Set Decoration:
Lin MacDonald

Sound Assistant:
Michael Hibberson

Sound Effects Editor:
Eric A. Norris
Bradley C. Katona

Sound Re-Recording Mixer:
Bob Beemer
Scott Millan

Sound Recordist:
Andrea Eliseyan
Brian D. Lucas

Special Effects Best Boy:
Lars Lenander

Special Effects Coordinator:
William H. Orr

Still Photographer:
Alan Markfield

Story:
Michael Allin

Stunt Coordinator:
Tony Morelli
Jacob Rupp

Stunts:
Celia Bond
Lauro David Chartrand-DelValle
J.J. Makaro
Larry Holt
Reg Glass
John-Clay Scott
Ernie Jackson
Lori Stewart
Trish Schill
David Jacox
Mike Vézina
Carol Jackson
Bill Edwards
Corry Glass
John Dodds
Tom Eirikson
Guy Bews
Brent Woolsey
Tom Glass
Jason Glass
Jim Finkbeiner
Scott Nicholson
Kirk Jarrett
Joe Dodds
Greg Schlosser
Tony Morelli
Bill Stewart
Fred Perron
Deb Macatumpag
Gary Lauder
Betty Thomas Quee
Mary Ann Skoll
Kristene Kenward
Braden Haggerty
Melissa R. Stubbs

Supervising ADR Editor:
John Benson

Supervising Sound Editor:
John Benson

Third Assistant Director:
Steve Eathorne
Natalie Baldner

Unit Production Manager:
Justis Greene
Heather Meehan

Visual Effects Supervisor:
Dale Fay

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.