A work in constant progress (and occasional regress).
Release Date:
November 13, 1998
Original Title:
I'll Be Home for Christmas
Alternate Titles:
A casa per natale
Látástól mikulásig
Na Vianoce budem doma
Vuelve a casa por Navidad, si puedes...
Genres:
Comedy | Family
Production Companies:
Mandeville Films
Walt Disney Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: G US: PG
Runtime: 86
Estranged from his father, college student Jake is lured home to New York for Christmas with the promise of receiving a classic Porsche as a gift. When the bullying football team dumps him in the desert in a Santa suit, Jake is left without identification or money to help him make the journey. Meanwhile, his girlfriend, Allie, does not know where he is, and accepts a cross-country ride from Jake's rival, Eddie.
ADR Editor:
Barbara Issak
ADR Mixer:
Robert Deschaine
ADR Recordist:
Tami Treadwell
Additional Second Assistant Director:
Gary Blair Smith
Art Direction:
Sandy Cochrane
Assistant Art Director:
Allan Galajda
Assistant Costume Designer:
Linda Lee Langdon
Assistant Editor:
Jana Lynn Gold
Pablo Prietto
Assistant Production Coordinator:
James Fantin
Assistant Set Decoration:
Dale Ann Connery
Gordon Clapp
Best Boy Electric:
Jeff Trebenski
Best Boy Grip:
Bill Molnar
Boom Operator:
Charles O'Shea
Cableman:
Michael Hibberson
Camera Operator:
Neil Seale
Douglas Craik
Casting:
Roger Mussenden
Karen Church
Co-Producer:
Justis Greene
Construction Coordinator:
Jan Kobylka
Costume Design:
Maya Mani
Costume Set Supervisor:
Bren Moore
Costumer:
Diana Patterson
Sylvie Bonniere
Barbara Clayden
Abigail Benjamin
Dialogue Editor:
Ralph Osborn
Benjamin Beardwood
Director:
Arlene Sanford
Director of Photography:
Hiro Narita
Dolly Grip:
Robert L. O'Hara
Editor:
Anita Brandt-Burgoyne
Executive Producer:
Robin French
First Assistant Camera:
Timothy Robin Spencer
Trevor Holbrook
First Assistant Director:
Gregory Jacobs
First Assistant Editor:
Don Thompson
Caroline Hardon
First Assistant Sound Editor:
Paul O'Bryan
Foley Artist:
Alyson Dee Moore
Nancy Parker
Foley Editor:
David Melhase
Foley Mixer:
Brian Ruberg
Gaffer:
Don Saari
Hairstylist:
Donna Bis
Sherry Linder-Gygli
Key Grip:
Kevin Black
Location Manager:
Janice Frome
Makeup Artist:
Sandy Cooper
Connie Parker
Original Music Composer:
John Debney
Producer:
David Hoberman
Tracey Trench
Production Coordinator:
Christina Bulbrook
Production Design:
Cynthia Kay Charette
Production Sound Mixer:
Rob Young
Property Master:
Mark Francis
Screenplay:
Tom Nursall
Harris Goldberg
Script Supervisor:
Portia Tickell
Second Assistant Camera:
Stewart Whelan
Kim Ritz
Shinpei Otsuki
Second Assistant Director:
Pete Whyte
Set Decoration:
Lin MacDonald
Sound Assistant:
Michael Hibberson
Sound Effects Editor:
Eric A. Norris
Bradley C. Katona
Sound Re-Recording Mixer:
Scott Millan
Bob Beemer
Sound Recordist:
Andrea Eliseyan
Brian D. Lucas
Special Effects Best Boy:
Lars Lenander
Special Effects Coordinator:
William H. Orr
Still Photographer:
Alan Markfield
Story:
Michael Allin
Stunt Coordinator:
Tony Morelli
Jacob Rupp
Stunts:
J.J. Makaro
Larry Holt
Celia Bond
Lauro David Chartrand-DelValle
Ernie Jackson
Brent Woolsey
John-Clay Scott
Guy Bews
Tom Glass
Reg Glass
Corry Glass
Jason Glass
John Dodds
Joe Dodds
Kirk Jarrett
Tom Eirikson
Jim Finkbeiner
Greg Schlosser
Tony Morelli
Mike Vézina
Bill Stewart
David Jacox
Betty Thomas Quee
Scott Nicholson
Fred Perron
Mary Ann Skoll
Braden Haggerty
Carol Jackson
Lori Stewart
Bill Edwards
Trish Schill
Deb Macatumpag
Kristene Kenward
Gary Lauder
Melissa R. Stubbs
Supervising ADR Editor:
John Benson
Supervising Sound Editor:
John Benson
Third Assistant Director:
Natalie Baldner
Steve Eathorne
Unit Production Manager:
Justis Greene
Heather Meehan
Visual Effects Supervisor:
Dale Fay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.