A work in constant progress (and occasional regress).
Release Date:
November 30, 1990
Original Title:
Misery
Alternate Titles:
Lida
Miseria
Misery
Misery - O Capítulo Final
Misery - Stephen King
Misery non deve morire
مصیبت
Genres:
Drama | Thriller
Production Companies:
Castle Rock Entertainment
Columbia Pictures
Nelson Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CA: 14A CZ: 15+ DE: 16 ES: 18 FI: K-16 FR: 12 GB: 18 HU: 18 IE: 18 IT: VM14 JP: PG12 KR: 15 NL: 16 PL: 16 PT: M/16 US: R
Runtime: 107
After stalking and saving the life of her favorite fiction author in a car accident, his manic obsessor holds him captive in her remote Colorado home then forces him to write back to life the popular literary character he killed off.
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2003 #17 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains “Annie Wilkes” |
ADR Supervisor:
Larry Singer
Art Department Coordinator:
Jody Gaber
Art Direction:
Mark W. Mansbridge
Assistant Art Director:
Andrew Precht
Assistant Camera:
Brian W. Armstrong
Thomas Miligan
Assistant Chief Lighting Technician:
Walter Nichols
Assistant Editor:
Mary Morrisey
Assistant Property Master:
Ken Peterson
Assistant Sound Editor:
Peter C. Barbour
Best Boy Grip:
Dwayne Redlin
Boom Operator:
George Baetz
Camera Operator:
M. Todd Henry
Casting:
Janet Hirshenson
Jane Jenkins
Casting Associate:
Michael Hirshenson
Chief Lighting Technician:
Kevin Kelley
Co-Producer:
Steve Nicolaides
Jeffrey Stott
Color Timer:
Art Tostado
Construction Coordinator:
Marvin Salsberg
Construction Foreman:
John Hoskins
Jonas Kirk
Costume Design:
Gloria Gresham
Director:
Rob Reiner
Director of Photography:
Barry Sonnenfeld
Editor:
Robert Leighton
First Assistant Director:
Dennis Maguire
First Assistant Editor:
Alan Edward Bell
Hairstylist:
Judith A. Cory
Judy Crown
Key Grip:
Dennis Gamiello
Leadman:
Mark Woods
Lighting Technician:
Thomas P. Powell
Location Manager:
Iddo Lampton Enochs Jr.
Makeup Artist:
John M. Elliott Jr.
Margaret E. Elliott
Music Editor:
Scott Stambler
Negative Cutter:
Lois Trent-Bring
Novel:
Stephen King
Original Music Composer:
Marc Shaiman
Pilot:
James Deeth
Producer:
Rob Reiner
Andrew Scheinman
Production Accountant:
K. Lenna Katich
Production Coordinator:
Linda Allan-Folsom
Production Design:
Norman Garwood
Production Manager:
Steve Nicolaides
Production Secretary:
Suzanne Lutz
Katherine T. Wilson
Property Master:
Jerry Moss
Screenplay:
William Goldman
Script Supervisor:
Kerry Lyn McKissick
Second Assistant Director:
Drew Ann Rosenberg
Second Second Assistant Director:
Artist W. Robinson
Second Unit Director:
Barry Sonnenfeld
Set Decoration:
Garrett Lewis
Set Designer:
Stan Tropp
Sound Editor:
Richard C. Franklin
Nils C. Jensen
Gary Mundheim
Chuck Neely
Sound Mixer:
Robert Eber
Sound Re-Recording Mixer:
Rick Kline
Gregg Landaker
Kevin O'Connell
Special Effects Makeup Artist:
Howard Berger
Bruce Spaulding Fuller
Robert Kurtzman
Rick Lalonde
Greg Nicotero
Special Effects Supervisor:
Phil Cory
Still Photographer:
Merrick Morton
Stunt Coordinator:
David R. Ellis
Stunts:
Sandy Berumen
R.A. Rondell
Sammy Thurman
Supervising Music Editor:
Scott Stambler
Supervising Sound Editor:
Donald J. Malouf
Charles L. Campbell
Swing:
Gary Isbell
Transportation Captain:
Kirk A. Holland
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.