A work in constant progress (and occasional regress).
Release Date:
September 28, 2005
Original Title:
The Dark
Alternate Titles:
Escuridão
Karanlik
La Oscuridad
Pimedus
Tama
Tumsa
Мракът
Genres:
Horror | Mystery | Thriller
Production Companies:
Constantin Film
Impact Pictures
Isle of Man Film
UK Film Council
Production Countries:
Germany | United Kingdom
Ratings / Certifications:
AR: 16 AT: 16 BE: 16 BR: 14 CA: 18A DE: 16 ES: 16 FI: K-16 FR: 12 GB: 15 HK: IIB IE: 16 IS: 16 IT: VM14 NL: 16 PH: R-13 PT: M/16 SG: PG US: R
Runtime: 87
In an attempt to pull her family together, Adèlle travels with her young daughter Sarah to Wales to visit her father. The morning after they arrive, Sarah mysteriously vanishes in the ocean. Not long after, a little girl bearing a striking resemblance to their missing daughter reveals that she has retuned from the dead — and that Sarah has been taken to the Welsh underworld.
3D Animator:
Jayson King
ADR Recordist:
Graeme Stoten
Andrew Stirk
Michael Miller
Matthew Skelding
Zak Melemendjian
Courtney Bishop
ADR Voice Casting:
Brendan Donnison
Vanessa Baker
Animation:
Adam Seeley
Art Department Assistant:
Jo Riddell
Art Department Trainee:
Nurey Al-Kahzrajie
Art Direction:
Ed Walsh
Assistant Accountant:
Jacky Holding
Assistant Art Director:
Rowanna Lacey
Assistant Editor:
Emanuele Giraldo
Assistant Location Manager:
Peter Smith
Assistant Production Coordinator:
Andrew Gwyn Davies
Author:
Simon Maginn
Best Boy Electric:
Joe Judge
Boom Operator:
Matthew Desorgher
CG Supervisor:
John Harvey
Camera Loader:
Adam Cowan
Camera Operator:
Howard Baker
Mark Milsome
David Odd
Camera Trainee:
Inderpreet Bahia
Carpenter:
Terry Law
Graham Thomas
Mark Overall
Casting:
Robyn Ray
Suzanne M. Smith
Casting Assistant:
Thomas L. Carter
Clapper Loader:
Chris Clarke
Co-Producer:
Robert How
Colorist:
Adam Inglis
Conductor:
Geoff Alexander
Contact Lens Technician:
Jemma Scott-Knox-Gore
Continuity:
Karen Fryer
Costume Assistant:
Nicola Rodd
Costume Design:
Ffion Elinor
Costume Supervisor:
Leigh Nicol
Costumer:
Vikki Illing
Maxine Brown
Creative Consultant:
Alexander Berner
Dialogue Coach:
Anne Marie Speed
Dialogue Editor:
Lauren Ana Walker
Dan Green
Digital Compositor:
Aeon Henderson
Digital Compositors:
Melissa Butler Adams
Digital Intermediate Producer:
Marcus Alexander
Director:
John Fawcett
Director of Photography:
Christian Sebaldt
Dressing Prop:
Andrew Wilson
Don Santos
Driver:
Gerard Baldwin
Editor:
Chris Gill
Electrician:
James Bradshaw
Executive Producer:
Steve Christian
Robert Kulzer
Paul Tamasy
Extras Casting:
Bev Lawley
First Assistant Accountant:
Jane Trower
First Assistant Director:
Mark Egerton
Focus Puller:
Harry Bowers
Foley Artist:
Lionel Selwyn
Jason Swanscott
Melissa Lake
Foley Supervisor:
Barnaby Smyth
Gaffer:
Phil Brookes
Grip:
Alex Tate
Hair Department Head:
Simon Thompson
Hair Designer:
Sarah Monzani
Hairstylist:
Zoe Brown
Head of Production:
Peter Bach
Health and Safety:
Roger Kendall
Location Assistant:
Katie Elson
Location Manager:
Phil Gates
Jules De Barsham
Johnny Bamford
Ian Pollington
Henry Woolley
Makeup & Hair:
Christine Whitney
Makeup Artist:
Erin Ayanian
Makeup Department Head:
Sue Ignatius
Makeup Designer:
Sarah Monzani
Makeup Trainee:
Liz Phillips
Music Editor:
Kirsty Whalley
Allan Jenkins
Music Score Producer:
Edmund Butt
Music Supervisor:
Liz Gallacher
Negative Cutter:
Eddy Kolkiewicz
Orchestrator:
Geoff Alexander
Original Music Composer:
Edmund Butt
Post Production Coordinator:
Anna Bolt
Post-Production Manager:
Steve Harrow
Producer:
Paul W. S. Anderson
Jeremy Bolt
Production Accountant:
Della Moore
Production Assistant:
Rob Craine
Production Coordinator:
Sarada McDermott
Production Design:
Eve Stewart
Production Executive:
Jan Hogevold
Production Manager:
Candice Fonseca
Production Runner:
Oliver Barron
Production Sound Mixer:
John Rodda
Prosthetic Makeup Artist:
Maralyn Sherman
Rigging Gaffer:
John Donoghue
Scoring Mixer:
Toby Wood
Screenplay:
Stephen Massicotte
Script Editor:
Rory Gilmartin
Script Supervisor:
Elizabeth Tremblay
Second Assistant Director:
Oscar Beuselinck
Second Unit Director:
Grant Harvey
Set Runner:
Chris Ingram
Sound Effects Editor:
Bernard O'Reilly
Ben Meechan
Sound Re-Recording Mixer:
Dan Johnson
Howard Bargroff
Special Effects Assistant:
Carolyn Matini
Special Effects Supervisor:
David Harris
Special Effects Technician:
Graham Hills
Standby Art Director:
Sam Stokes
Standby Carpenter:
Lester Rowbotham
Standby Painter:
Justin Overhill
Steadicam Operator:
Gerry Vasbenter
Still Photographer:
Giles Keyte
Storyboard Artist:
Dan Maslen
Temple Clark
Stunt Coordinator:
Gareth Milne
Stunts:
Kim McGarrity
Gary Connery
Ruth Jenkins
Supervising Art Director:
Andrew Grant
Supervising Dialogue Editor:
Simon Price
Third Assistant Director:
Lucy Egerton
Title Designer:
Matt Curtis
Underwater Camera:
Mark Wolf
Unit Publicist:
Rob Deacon
Visual Effects Supervisor:
Adam Gascoyne
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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