A work in constant progress (and occasional regress).
Release Date:
May 29, 1998
Original Title:
The Last Days of Disco
Alternate Titles:
Les derniers jours du disco
Los últimos días del disco
Os últimos Embalos da Disco
Poslední dny disca
Последние дни диско
Genres:
Comedy | Drama | Romance
Production Companies:
Castle Rock Entertainment
PolyGram Filmed Entertainment
Warner Bros. Pictures
Westerly Films
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 113
Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Kenton Jakub
ADR Mixer:
Michael Miller
ADR Recordist:
Doug Roberts
Art Department Coordinator:
Artemis Willis
Art Direction:
Molly Mikula
Assistant Accountant:
Jean Kalanzi
Assistant Costume Designer:
Sharon Globerson
Assistant Editor:
Tia Schellstede
Assistant Extras Casting:
Kristine Bulakowski
Janice Wilde
Assistant Hairstylist:
James Post
Assistant Location Manager:
Michael Sibley
Assistant Makeup Artist:
Kymbra Callaghan
Assistant Production Coordinator:
Meryl Emmerton
Assistant Property Master:
Robert Covelman
Assistant Set Decoration:
Alexandra Mazur
Assistant Sound Editor:
Jamie Lowry
Audio Post Coordinator:
Danielle Capawanna
Best Boy Electric:
Mark Schwentner
Best Boy Grip:
Monique Mitchell
Charlie Marroquin
Boom Operator:
Patricia Brolsma
Camera Intern:
Andrij Parekh
Camera Loader:
Dan Hersey
Camera Operator:
Bruce MacCallum
Casting:
Kerry Barden
Billy Hopkins
Suzanne Smith Crowley
Casting Associate:
Mark Bennett
Jennifer McNamara
Deborah Maxwell Dion
Charge Scenic Artist:
Julia Barraclough
Choreographer:
John Carrafa
Co-Producer:
Cecilia Kate Roque
Edmon Roch
Color Timer:
Mark Ginsberg
Conductor:
Josh Rosenblum
Mark Suozzo
Construction Buyer:
Eryka Seimona Henderson
Construction Coordinator:
Brent Haywood
Construction Grip:
Pat Schneider
Costume Design:
Sarah Edwards
Costumer:
Harper Della-Piana
Craft Service:
Andy Walker
Dialogue Editor:
Rick Freeman
Director:
Whit Stillman
Director of Photography:
John Thomas
Dolby Consultant:
Eric A. Christoffersen
Dolly Grip:
Richard C. Kerekes
Dustin Smith
Driver:
Theodore Brown Jr.
Daniel Palmer
Barry Sweeney
Charles Fay
George Holtzer
George Washington
Erik W. Wickstrom
John Hart Queeney Jr.
Juan Bryan
Bob Dean
Timothy Garrett
Jean Presendeli
John Lalor
Editor:
Andrew Hafitz
Jay Pires
Electrician:
Jason Micallef
John Billeci
Derrick Still
Donald M. Angst
Timothy Healy
Mike Reed
Michael 'Flash' McDonald
Craig Paul Harris
Tom Anderson
Lance E. Phox
Rocco Palmieri
James J. Ferris
John Gilgar
Executive Producer:
John Sloss
Extras Casting:
Meredith Jacobson Marciano
Irene Stillman
First Assistant Camera:
Phil Cohen
First Assistant Director:
Cas Donovan
Foley Artist:
Brian Vancho
Foley Editor:
Bill Sweeney
Steven Visscher
Foley Recording Engineer:
George A. Lara
Gaffer:
Don Muchow
Graphic Designer:
Addison Pettit
Grip:
Vincent Lanza
Johnny Santiago
Paul Candrilli
Nina Zarnett
Adam Novich
Matt Chubet
Hairstylist:
Colleen Callaghan
Ardis Cohen
Jean Block
Michelle Johnson
Mary A. D'Angelo
Michael Wasula
Key Construction Grip:
Daniel Finn
Key Grip:
Mitchell Andrew Lillian
Gary Martone
Key Rigging Grip:
James Boniece
Lead Set Dresser:
Amy Safhay
Michael Leather
Leadman:
David Scott Gagnon
Legal Services:
John Sloss
Paul Brennan
Location Assistant:
Al Lamberti
Eryka Seimona Henderson
David Moy
Harry Tappan Heher
Location Coordinator:
Kate Schultz
Location Manager:
Daniel Strol
Location Scout:
Demetri Detsardis
Mark Bodnar
Makeup Artist:
Eva Polywka
Joseph Farulla
Cassandra Saulter
Linda Hensching
Fern Buchner
Makeup Designer:
Cassandra Saulter
Music Consultant:
Johnny Coppola
Music Editor:
Joe Lisanti
Music Supervision Assistant:
Margaret Yen
Music Supervisor:
Peter Afterman
Negative Cutter:
Michael Yetter
On Set Dresser:
Jeffrey Rollins
Joe Taglairino
Original Music Composer:
Mark Suozzo
Payroll Accountant:
Patricia Porter
Post Production Accountant:
John B. Finn
Producer:
Whit Stillman
Production Accountant:
Liz Dykhouse
Production Assistant:
Tommy Disla
Production Coordinator:
Anne Nevin
Production Design:
Ginger Tougas
Production Runner:
Alexander Wei
Property Master:
Martin Lasowitz
Daniel Boxer
Props:
Janine Michelle
Publicist:
Alex Panagakis
Scenic Artist:
Celia Parker
Scoring Mixer:
Ted Spencer
Script Supervisor:
Julie Oppenheimer
Second Assistant Camera:
Adam Putnam-Thomas
Second Assistant Director:
Peter Leto
Second Unit Cinematographer:
Abe Schrager
Set Decoration:
Lisa Nilsson
Set Dresser:
Chris Jordan
Eric M. Metzger
Hank Liebeskind
Set Production Assistant:
Jeff Robinson
Stan Wiencko
Ginger Gonzalez
Ted Shields
Bethann Schebece
Sound Effects Editor:
Michael W. Mitchell
Sound Mixer:
Scott Breindel
Sound Re-Recording Mixer:
David Novack
Sound Recordist:
Michael Scott
Special Effects Coordinator:
Todd Wolfeil
Stand In:
Devon Sorvari
Tim Wilson
Steadicam Operator:
Jim McConkey
Still Photographer:
Barry Wetcher
David Lee
Stunt Coordinator:
Peter Bucossi
Stunts:
Victor Chan
Bob Colletti
Ralph Ferrara
Shannon McGann
Mark Castellano
Supervising Music Editor:
Paul P. Soucek
Supervising Sound Editor:
Paul P. Soucek
Mick Gormaley
Thanks:
Jean-Jacques Sempé
Russell Pennoyer
Bill Nisselson
Pat Scott
Paul Degen
Peter Galman
Anthony Haden-Guest
Transportation Coordinator:
Theodor A. Brown
Unit Production Manager:
Cecilia Kate Roque
Video Assist Operator:
Douglas Martines
Wardrobe Supervisor:
Jill E. Anderson
Kate Edwards
Writer:
Whit Stillman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.