A work in constant progress (and occasional regress).
Release Date:
August 31, 2004
Original Title:
Îlé Aiyé
Alternate Titles:
Îlé Aiyé (The House of Life)
Genres:
Documentary | Music
Ratings / Certifications:
N/A
Runtime: 51
Ilé Aiyé explores the ways in which Candomblé has influenced the daily life and culture of the people of Brazil in music, art, religion, theater, food, dance, poetry and more. Ilé Aiyé uses experimental film techniques, music, and cultural observation to express the life and rituals of Candomblé and the symbolic manifestation of the Orishás, the deities which represent the wide range of natural and spiritual forces. The rhythms of the sacred drums and bells, a dance of spiritual ecstasy, offerings and sacrifices, divination and the visitation of the Orishás through trance are all part of the color and life of Candomblé.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.